Come From Away
Discover life as an islander with the story of the 38 planes that were diverted to Gander on September 11, 2001.
Show Essentials
12
Roles
PG
Rated
1
Act

Full Synopsis

In the tight-knit, small town of Gander, Newfoundland, Mayor Claude and the rest of the townsfolk of Gander - teachers, bus drivers, police, journalists, animal shelter workers -  introduce the audience to their community (“Welcome to The Rock”). As the Newfoundlanders go about their day, news breaks through town from Bonnie Harris of the SPCA to Oz Fudge, head of the two-person Gander police department, through Tim Horton’s to Bonnie’s husband, Doug, who heads down to air traffic control. The U.S airspace has closed due to the September 11th, 2001, terrorist attacks, and almost 7,000 people have been diverted to the small town of Gander (“38 Planes”).  

As the planes begin to land, Claude and the town’s staff scramble to provide resources for their unexpected guests, negotiate with bus drivers who are on strike, and send out urgent requests for supplies through Janice, on her first day as a reporter at Rogers TV, the local station (“Blankets and Bedding”). As Gander prepares, the passengers are held on board, with no explanation given for the diversion for up to 28 hours. Nick worries about his work in England, but meets Diane, from Texas, who is worried about someone also flying that day. On another plane, Kevin T.  and his boyfriend Kevin J. deal with their frustration by drinking, and on another, Bob worries that it’s World War III. On some planes, parties break out, but on many, for those who have heard the news, they mourn and are fearful. Still onboard, Captain Beverley Bass finally reaches her husband and learns that a friend of hers has died in the attacks. She holds it together for her passengers, but is shaken (“28 Hours/Wherever We Are”).

In town, it’s chaotic; Claude and his staff deal with housing the stranded passengers, suspected bomb threats, animals stranded in the planes’ cargo holds, and the school bus strike, which must be resolved in order to transport the passengers to the makeshift shelters. Late at night, with Doug’s help, Bonnie forces her way onto the planes and discovers 19 animals, including 2 rare bonobo chimpanzees. Meanwhile, the bus drivers finally leave the picket line, and “The Plane People” are shuttled to local schools, churches, and halls, except for an Egyptian passenger, Ali, who is temporarily detained. As they drive into town, the bus drivers tell the passengers about where they’ve landed and navigate language barriers ("Darkness & Trees").  

The passengers are directed to food, fresh clothes, beds, and anything else they might need. They are exhausted, frustrated, and frightened as they learn about why they were grounded and see images on the news for the first time (“Lead Us Out of the Darkness”). Phones are set up, crisis counselors arrive to help facilitate calls, and the passengers finally reach their families, including Diane, who is relieved to find out that her son, whom she had been worried about, is alive ("Phoning Home").

Trying to cope and adjust to various time zones, the town of Gander barely sleeps that night. In the morning, the passengers wake up in gyms, classrooms, and church halls -  confused where they are and still reeling from the news. They are offered food and clothes from Gander residents and local shops. Beulah, a mother of a local firefighter, reaches out to Hannah, who’s still waiting to hear about her firefighter son in New York. Meanwhile, Beverley tells her passengers they may be in Newfoundland for some time. Feeling restless, Diane decides to go for a walk. Kevin also wants to see where they are, though his boyfriend refuses to leave (“Costume Party”). 

The Newfoundlanders start taking the bewildered strangers back to their homes for showers, laundry, meals, and eventually to stay the night. Bob, a passenger from New York, is nervous, though he eventually stays with Derm, the Mayor of Appleton. As the passengers grow more anxious to leave, Oz tells them it would be about two or three days to travel back to the US without access to planes. Kevin T. and Kevin J. go for a walk with Nick and Diane, who realize they aren’t married. Eventually, the Kevins find a bar, where they are worried about experiencing homophobia, but instead realize they’ve landed in “the gayest town in Newfoundland.”

Claude and the town face unending challenges, including finding ways to keep tons of donated food from going bad on the local ice rink and dealing with many passengers who don’t speak English. On the planes, Bonnie and Doug begin to argue, as they are unable to adequately take care of the animals, including the female bonobo, who is pregnant. At the TV station, Janice tries to stay professional, but finds herself struggling under the weight of the situation.

Meanwhile, Bob is asked to set up a community cookout by borrowing grills from the residents of Gander, and instead of getting shot, the locals help him. When the bathrooms need to be sanitized, a group of cardiologists volunteers, and as Hannah tries fruitlessly to reach her son, Beulah comforts her by telling her jokes (“I am Here”). Passengers and Gander residents gather for the national moment of silence in America, and throughout town, they all exchange hymns, stories, and prayers (“Prayer”).

Health Canada lets the animals off the planes to quarantine at Hangar One, but Bonnie worries about the pregnant chimp, Unga, who suddenly goes into labor. The passengers are agitated from spending their days crammed inside with nothing to do but watch the news; fights begin to break out, and Ali experiences islamophobia (“On The Edge”). To alleviate tensions, Claude and Oz assemble passengers at the Legion, where they swim in the river, enjoy local music, sing karaoke, and even get initiated as honorary Newfoundlanders, where Bob, Kevin T, Diane, and Nick take shots and kiss a codfish - except for Diane, who kisses Nick (“Screech In”).

Meanwhile, Beverley remains near the phone, reflecting on her experience being the first female pilot for American Airlines, and how her one love in life, flying, has been irreparably changed - until she suddenly receives word that planes are cleared to fly again (“Me and the Sky”). 

Nick wakes Diane up with the news, though she barely remembers their kiss. She invites Nick to Texas, but he has to return immediately to England. Meanwhile, Kevin J tells Kevin T that he tried to change his flight to his home in New York, rather than LA, where the Kevins lived together. The passengers and townsfolk say their goodbyes. At the airport, there is increased security, and Ali is strip-searched due to biased suspicions as Beverley watches. Many of the flights must return to their departure location, and some passengers try to vote on their destination, until Beverley shuts it down. Finally, the flights home are delayed further due to a plane with a flat tire that is blocking the runway. Diane and Nick decide to make the most of the situation and visit a beautiful lookout, wishing they could stay together (“Stop the World”).

Down at the hangar, Bonnie says goodbye to each animal that she’s become attached to, telling Unga, the female bonobo, that she’s sorry Unga lost her baby. A storm is coming in, threatening further delays, but finally they’re all able to leave. On the plane home, Nick and Diane finally kiss, and Bob passes a hat to start a charity for the people of Newfoundland (“38 Planes (Reprise)/”Somewhere in the Middle of Nowhere”).

Kevin T. and Kevin J. break up as Nick and Diane find long distance a challenge. Beverly returns to work at an empty airport, Bob struggles being back in New York, and Hannah learns her son has died. Back in Newfoundland, the townspeople clean up, and even though things go back to normal, the town now feels different - emptier. After barely sleeping for five days, Claude returns home and finally allows himself to cry. (“Something’s Missing”). As Town Hall returns to normal, they discover the suggestion box is filled with money from the passengers, and over the next 10 years, more donations begin to pour in from around the world.

On the tenth anniversary, countless passengers return to Gander and speak to journalists. Beulah and Hannah reunite, Nick and Diane got married; Unga, the rare bonobo chimpanzee, had another baby, which was named Gander by the Columbus Zoo; and Beverly brought her family back on her retirement flight. As Claude and the town welcome a piece of the WTC steel, everyone reunites to commemorate what was lost, but to remember what they found (“Finale”). 

Casting
← Back to Come From Away
Cast Size: Medium (11 to 20 performers)
Cast Type: Trained Singers
Dance Requirements: None

Character Breakdown

Claude & others

The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople and his daily traditions, but he's never had to deal with a crisis of this magnitude before.

Also plays Derm and Brenda’s Brother, Eddie.

Gender: male
Age: 40 to 60
Vocal range top: G4
Bonnie & others

A no-nonsense mother of three, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety - but in frustration, she often lashes out at those around her.

Also plays Martha.

Gender: female
Age: 30 to 40
Vocal range top: B4
Beulah & others

The head of the Gander Legion, with a firefighter son, who walks Hannah to her church and prays with her.

Also plays Delores.

Gender: female
Age: 40 to 60
Oz & others

The quirky constable in the two-person Gander police force. When the town's population suddenly doubles, Oz helps out in unexpected ways.

Also plays Joey, Customs Officer, Mr. Michaels, Terry, Matty, Rabbi, and Head Cardiologist.

Gender: male
Age: 30 to 50
Vocal range top: G4
Janice & others

An eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naïve about the world, Janice must face the pain and confusion around her.

Also plays Britney and Flight Attendant.

Gender: female
Age: 20 to 30
Vocal range top: E5
Beverley/Annette & others

Beverely: The first female captain for American Airlines Pilot, Beverly Bass has always loved flying, when her world suddenly changes.

Annette: A schoolteacher at Gander Academy with an active fantasy life.

Also plays Reporter.

Gender: female
Age: 50 to 60
Vocal range top: C#5
Diane & others

A traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out that he's safe, she's given a new lease on life and discovers a wilder more carefree side of herself.

Also plays Crystal and Brenda.

Gender: female
Age: 50 to 60
Vocal range top: C#5
Vocal range bottom: A3
Nick/Doug & others

Nick: An English oil engineer who is focused on his work, Nick's life is turned upside down when he falls for Diane.

Doug: An Air Traffic Controller, married to Bonnie, who tries to help his wife and the animals.

Also plays Officer Stephenson, and Male Townsperson.

Gender: male
Age: 50 to 60
Vocal range top: E4
Kevin T/Garth & others

Kevin T: The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town's generosity, Kevin creates the Pay It Forward Foundation.

Garth: The head of the local union, representing the Bus Drivers.

Also plays President Bush.

Gender: male
Age: 30 to 50
Vocal range top: G4
Kevin J/Ali & others

Kevin J: Kevin's boyfriend and secretary. Sarcastic and unhappy, he wants to leave as soon as possible.

Ali: An Egyptian man traveling to America who experiences isolation and Islamophobia but who finds a connection to Beulah.

Also plays Dwight.

Gender: male
Age: 30 to 50
Hannah & others

The mother of a firefighter in Manhattan, Hannah waits for news about her son and is comforted by Beulah.

Also plays Margie and Mickey.

Gender: female
Age: 40 to 60
Vocal range top: E5
Bob & others

A hardened New Yorker, Bob is suspicious of where he's landed, fearing that it's World War 3, that someone is going to shoot him and steal his wallet - but instead, he ends up losing his New York jadedness.

Also plays Muhumuza and Captain Bristol.

Gender: male
Age: 20 to 40
Full Song List
COME FROM AWAY: Welcome to the Rock
COME FROM AWAY: 38 Planes
COME FROM AWAY: Blankets and Bedding
COME FROM AWAY: 28 Hours Wherever We Are
COME FROM AWAY: On The Bus
COME FROM AWAY: Lead Us Out of the Night
COME FROM AWAY: Phoning Home
COME FROM AWAY: Costume Party
COME FROM AWAY: Prayer
COME FROM AWAY: On The Edge
COME FROM AWAY: In The BarHeave Away
COME FROM AWAY: Screech In
COME FROM AWAY: Me and the Sky
COME FROM AWAY: Stop the World
COME FROM AWAY: Somewhere in the Middle of Nowhere
COME FROM AWAY: Something's Missing
COME FROM AWAY: Finale
COME FROM AWAY: Darkness and Trees
COME FROM AWAY: Darkness and Trees (Reprise)
COME FROM AWAY: I Am Here

Show History

Inspiration

Come From Away is the brainchild of Michael Rubinoff, a dean of visual and performing arts at Sheridan College near Toronto, Canada. He approached the composer/lyricist team of Irene Sankoff and David Hein to further develop the musical about a small Newfoundland town and the days immediately following the September 11 attacks. Real residents of Gander, Newfoundland inspire many of the characters in Come From Away.

Productions

The initial show was presented as a 45 minute workshop as part of the Canadian Music Theatre Project at Sheridan College in 2012. In 2013, a full production at Sheridan College was presented as part of the regular season. The show was included in the 2013 National Alliance for Musical Theatre in New York and presented in a full production where it attracted the attention of Junkyard Dog Productions.

The musical debuted in 2015 as a collaboration between La Jolla Playhouse and the Seattle Repertory Theatre. It then had full productions in Washington, DC and Toronto, Ontario where it broke box-office records.

Come From Away officially opened on Broadway at the Gerald Schoenfeld Theatre on March 12, 2017 starring many original cast members from the La Jolla Playhouse/Seattle Repertory co-production, including Chad Kimball and Jenn Colella. 

Billing

Requirements

Under the terms and conditions of your organisation’s Performance Agreement, the following credits must appear on all advertising (including websites) relating to the production. Credits must be reproduced faithfully in accordance with the following layout. No alterations or deletions can be permitted unless stated below.
Percentages listed indicate required type size in relation to title size.
COME FROM AWAY
(100%)
 
Book, Music and Lyrics by
IRENE SANKOFF and DAVID HEIN
(50%)
 
ADDITIONAL BILLING: The following billing must appear on the title page of all programs and in all advertising and publicity wherever and whenever the full production credits appear, in a type size not less than 25% of the non-logo title of the Play:
Original Broadway Production produced by
Junkyard Dog Productions
 
Orchestrations by August Eriksmoen
Arrangements by Ian Eisendrath
 
The following billing must appear on the bottom of the title page of all programs:
Come From Away was originally co-produced in 2015 by La Jolla Playhouse and
Seattle Repertory Theater and presented in 2016 by Ford’s Theatre.
 
Come From Away (NAMT Festival 2013) was originally developed at the Canadian Music Theatre Project, Michael Rubinoff Producer, Sheridan College in Oakville, Ontario, Canada, and was further developed at Goodspeed Musicals’ Festival of New Artists, in East Haddam, Connecticut. The Canada Council for the Arts, The Ontario Arts Council, and The Fifth Avenue Theatre, Seattle, Washington, also provided development support. Come From Away was originally co-produced in 2015 by La Jolla Playhouse and Seattle Repertory Theater and presented in 2016 by Ford’s Theatre
 
SHORTENED BILLING: In advertisements of 1/4 page size or less or where only the title of the play, performance dates and venue are provided, the following "shortened billing" is permissible:
COME FROM AWAY
 
Additional Program Credits: The following billing for the original Broadway producers must appear in Licensee’s programs, but need not be on the title page.
 
Junkyard Dog Productions
Jerry Frankel  Latitude Link  Smith & Brant Theatricals
Steve & Paula Reynolds  David Mirvish  Michael Rubinoff  Alhadeff Productions
Michael Alden & Nancy Nagel Gibbs  Sam Levy  Rodney Rigby  Spencer Ross  Richard
Winkler  Yonge Street Theatricals
Sheridan College  Michael & Ellise Coit  Ronald Frankel
Sheri & Les Biller  Richard & Sherry Belkin  Gary & Marlene Cohen  Allan Detsky & Rena
Mendelson  Lauren Doll  Barbara H. Freitag  Wendy Gillespie
Laura Little Theatricals  Carl & Jennifer Pasbjerg  Radio Mouse Entertainment  The Shubert
Organization  Cynthia Stroum  Tulchin Bartner Productions
Gwen Arment/Molly Morris & Terry McNicholas   Maureen & Joel Benoliel/Marjorie & Ron
Danz  Pamela Cooper/Corey Brunish  Demos Bizar/Square 1 Theatrics
Joshua Goodman/Lauren Stevens  Just for Laughs Theatricals/Judith Ann Abrams Productions  Bill
& Linda Potter/Rosemary & Kenneth Willman
 
The following credits shall appear on the same page as the list of musical numbers in the Play:
My Heart Will Go On Words and Music by Will Jennings and James Horner. ©IRVING MUSIC, INC. on behalf of BLUE SKY RIDER SONGS (BMI) Used by permission of Sony/ATV Music Publishing. All rights reserved.
 
Prayer of St. Francis dedicated to Mrs. Frances Tracy. ©1967, OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.
 
If you elect to purchase the Staging Manual, the following credits shall appear on the staff/credits page of all programs and all websites and social media advertising for your production, in not less than 50% of the size of type as the credits to the designer, choreographer and director of your production:
Production elements from the Broadway production utilized for this production of Come From Away were provided by Christopher Ashley (Direction), Kelly Devine (Musical Staging and Choreography), Beowulf Boritt (Scenic Design), Toni-Leslie James (Costume Design), Howell Binkley (Lighting Design) and Gareth Owen (Sound Design)
The videotaping or other video or audio recording of this production is strictly prohibited.

Included Materials

ItemQuantity Included
LIBRETTO/VOCAL BOOK20
PIANO CONDUCTOR'S SCORE2

Production Resources

Resource
FULL SCORE VOL 1 OF 3
FULL SCORE VOL 2 OF 3
FULL SCORE VOL 3 OF 3
HOW DOES THE SHOW GO ON?
KEYBOARDTEK
LOGO PACK DIGITAL
PERFORMANCE ACCOMPANIMENT RECORDING
REHEARSAL ACCOMPANIMENT RECORDING
REHEARSCORE APP
STAGE MANAGER SCRIPT
STAGING MANUAL DIGITAL
TRANSPOSITIONS-ON-DEMAND

STANDARD ORCHESTRATION

InstrumentationDoubling
BASSACOUSTIC BASS , ELECTRIC BASS , FRETLESS BASS
GUITARACOUSTIC (DROP D) , ACOUSTIC GUITAR , ELECTRIC (DROP D) , ELECTRIC [TELE] , ELECTRIC GUITAR , NYLON STRING GUITAR
GUITAR 2ACOUSTIC (DROP D) , ACOUSTIC GUITAR , BOUZOUKI , MANDOLIN , OCTAVE MANDOLIN
PERCUSSIONBODHRAN , CAJON KICK , DJEMBE , MINI ME , SHAKER , SPOONS , UDU , UGLY STICK , 15" BODHRAN
PERCUSSION 2BLUE SHAKER , DJEMBE , FINGER CYMBALS , TRAP SET , TRIANGLE
REED 1B-FLAT FLUTE , B-FLAT WHISTLE , BOXWOOD FLUTE , C FLUTE , D FLUTE , EILLEANN PIPES , F# WHISTLE , G WHISTLE , HIGH C WHISTLE , HIGH D WHISTLE , HIGH E WHISTLE , HIGH F WHISTLE , IRISH FLUTE , LOW A WHISTLE , LOW C WHISTLE , LOW C# WHISTLE , LOW D WHISTLE , LOW E WHISTLE , LOW F WHISTLE , MIC'D WHISTLE , MIDRANGE A WHISTLE , MIDRANGE F WHISTLE , MIDRANGE G WHISTLE
VIOLIN