Full Synopsis
Act One
Miami International Airport in the 1960s. Frank Jr. has just been caught by FBI agent Carl Hanratty. A shot rings out and Frank Jr. drops a briefcase full of money, but he maintains his good nature. Hanratty wants him to come easily, but first Frank Jr. wants to tell his story - he stole over 2 million dollars, he flew over five million flights as a Pan Am pilot, practiced medicine at a top Atlanta hospital, and worked as a prosecutor for the State of Louisiana - all with assumed names and without finishing high school ("Live In Living Color"). Frank Jr. promises that if he's allowed to tell his story, he'll tell Hanratty how he passed the bar exam in New Orleans; Hanratty begrudgingly agrees.
Frank Jr. takes us back to his parents' home in New Rochelle, New York on Christmas Eve. Frank Sr. twirls Frank Jr.'s mother, Paula, in a dance. He tells her he has gotten a much needed loan. However, he then reveals to Frank Jr. that he hasn't got it, because he's under I.R.S. investigation. He tells Frank Jr. a story: two mice were drowning in a bucket of cream - one gave up and died, the other struggled so hard he churned the cream into butter and climbed out. Going with that principle, Frank Sr. will buy Frank Jr. an expensive suit for Christmas, because success is about the image you put forth ("The Pinstripes Are All That They See").
At his new public school, Frank Jr. is brought to the principal's office for posing as a substitute French teacher. His father charms the principal with a necklace and as Frank Jr. leaves the office, he flirts with and advises a girl planning to give a fake note from her mother to the principal.
Back at home, Frank Jr. finds his mom dancing with his father's friend, Jack Barnes. Frank Jr. is furious, but his mother tries to explain that she was young when she met Frank Sr. and didn't know what she wanted other than to get out of France and come to America. Frank Jr. is not convinced and realizes there is no home here. At his parents' divorce proceeding, the judge wants Frank Jr. to pick which parent he will live with. Frank Jr. has other ideas, and he hops on a train for New York City - he even cons the railroad agent for the four-dollar train fare ("Someone Else's Skin").
In Manhattan, Frank Jr. alters his driver's license to make himself older and starts forging checks. Hanratty, and the FBI, get wind of him ("Live In Living Color - Reprise"). In the basement of the FBI office, Carl discovers that the many pseudonyms Frank Jr. is using all belong to one man and figures out how Frank Jr. is managing to stay in one place and cash bad checks for weeks.
At the Tudor Hotel in Manhattan, Frank Jr. spots a group of stewardesses and decides that he wants to be a pilot. He pretends to work for a school newspaper and interviews a Pan Am executive to learn the basic terminology, then forges a Pan Am badge and has a tailor make him a uniform. Once he's all decked out, he takes to the skies ("The Jet Set").
At the Plaza Hotel, Frank Jr. cons former Seventeen magazine model-turned-call girl into giving him four-hundred dollars. Meanwhile, at the FBI training ground in Quantico, Hanratty works to get his team up to snuff. He feels himself closing in on the culprit, even though he is unable to narrow down his location. Hanratty reveals that he imagines the guy as an Old School virtuoso, in his 60's, and Hanratty respects him. He knows, however, that he will eventually make a mistake. One of his men asks if Hanratty was always so rigid and Hanratty explains that the game isn't worth winning if you break the rules to do it ("Don't Break The Rules").
Frank Jr. is gaining more notoriety for his crimes. He takes his father to a legendary New York restaurant and offers him money so they can buy back the store ("The Pinstripes Are All That They See - Reprise"). Frank Sr. resists but Frank Jr. is persistent about trying to get the store back and help his dad win back his mother. He reminds Frank Sr. of the story with the mice and reinvigorates his spirit ("Butter Outta Cream").
At an airport motel, Hanratty and the other agents are going through Frank Jr.'s room. They have just missed him. Hanratty tries to piece together Frank Jr.'s story from the items in his trash: pizza boxes, comic books, and a half-finished letter inviting two people to come meet him in Los Angeles ("The Man Inside The Clues"). In Los Angeles, Hanratty busts into Frank Jr.'s hotel room. He finds Frank Jr. who is posing as a Secret Service agent. He dupes Hanratty into letting him go, as Hanratty believes that the man he's chasing has already been caught.
It is now Christmas and Hanratty is hard at work ("Christmas Is My Favorite Time Of Year [Party Version]"). He lets Branton, one of his men, go home to his family while Hanratty reveals his wife has left him. Alone in the office, Hanratty gets a phone call from Frank Jr. who apologizes for the incident in LA. Hanratty realizes the real reason Frank Jr. is calling is because he's just a lonely kid ("My Favorite Time Of Year").
Act Two
Hanratty is convinced that the key to finding Frank Jr. is determining who is responsible for him. They begin searching for all of the families of runaway teens in the tri-state area.
Frank Jr. makes his way to Atlanta, where he attempts to keep a low profile and stop lying. It doesn't last. He eventually develops a taste for nurses and picks up a job supervising the emergency room at Atlanta General Hospital after forging a medical degree and diploma ("Doctor's Orders"). At the hospital, he quickly falls for a young nurse named Brenda. Although very talented, she lacks confidence. Frank Jr. helps her and she agrees to go out with him.
Hanratty visits Paula, Frank's mother, who is not nearly as worried about the FBI chasing her son as Hanratty would expect. She admits she hasn't seen Frank Jr. in years and asks Hanratty to give him her regards. Likewise, Frank Sr. is proud of his son ("Don't Be A Stranger"). Frank Sr. tells Hanratty that Frank Jr. has joined the military, but Hanratty knows he is lying. He tries to convince Frank Sr. that it is in Frank Jr.'s best interest for Frank Sr. to give him up. They bond at the bar over not having had nurturing fathers as Hanratty gets Frank Sr. drunk ("Little Boy, Be A Man"). At the end of the night, Frank Sr. passes out and Hanratty looks at the return address on a letter from Frank Jr. that Frank Sr. has in his hand ("The Man Inside The Clues - Reprise").
Meanwhile, Frank Jr. is in love with Brenda and wants to marry her ("Seven Wonders"). They leave Atlanta and head to her parents' house in New Orleans. Hanratty shows up in Atlanta having just missed Frank Jr. again. Brenda's parents are at first skeptical about Frank Jr., but he manages to charm them. He also claims he is a lawyer in the hopes of finding his place in this family, but the FBI is still on his tail ("[Our] Family Tree"). Frank Jr. finds his dad in a bar in New York. Frank Sr. is now working for the post office. Frank Jr. tells his dad he plans to stop conning, but and Frank Sr. can't understand why. Frank Jr. explains he is getting married and wants to settle down. Frank Sr. then reveals to his son that Paula has married Jack Barnes, much to his own dismay.
Lost and confused, Frank Jr. calls Hanratty announcing that he wants the chase to end; Hanratty reminds him that he stole two million dollars and they can't just call it off. Frank Jr. tells him about Brenda and the desire to settle down but Hanratty knows he can find him now. Frank Jr. cannot change his name if he wishes to marry Brenda. Later, Brenda's family is having an engagement party but Frank Jr. is ready to sneak away. He gives Brenda a briefcase of money and tells her to meet him at the Miami Airport in two days. She reluctantly agrees. After he leaves, Hanratty and Brenda's parents burst in. Her father demands that she do the right thing by telling Hanratty where Frank Jr. is going. Brenda is conflicted but decides to give him up ("Fly, Fly Away").
We transition back to the beginning, at the airport, with Hanratty and Frank Jr. Hanratty attempts to convince Frank Jr. to surrender, but Frank insists he cannot stop without a big finish ("Goodbye"). Suddenly, Hanratty shatters Frank's dreams by revealing to him that his father has died. Frank Jr. becomes upset and threatens to run again. Hanratty, however, offers a compromise: pay his debt to society by working for the FBI in counterfeiting. Frank agrees and reveals how he passed the bar exam.
In a closing epilogue of sorts, it is revealed that Frank Jr. and Hanratty eventually become close friends with a trusting relationship. Frank Jr. has founded a security company and has paid back every bad check. Brenda has finally married a real lawyer and Hanratty has become the godfather to Frank Jr.'s kids ("[Stuck Together] Strange, But True").
Show History
Inspiration
Catch Me If You Can, with score by Marc Shaiman and Scott Wittman and a book by Terrence McNally, is the story of notable con artist Frank Abagnale, Jr. The musical lends much of its material from the 2002 film of the same name, which in turn drew from Abagnale's 1980 autobiography. Though the musical keeps many of the same plot points as the movie, it embellishes certain characters and relationships, specifically the role of Frank Sr.
The creative team for the Seattle tryout and the Broadway production reunited the Tony-winning team from Hairspray, including director Jack O'Brien and choreographer Jerry Mitchell. They came together for a series of readings and workshops from 2005 to 2008, working with such seasoned performers as Nathan Lane, Matthew Morrison, Christian Borle, Celia Keenan-Bolger, Katherine McPhee, and Annaleigh Ashford.
Productions
After several workshops and readings, Catch Me If You Can first hit the stage at the 5th Avenue Theatre in Seattle on July 28, 2009. The production starred Aaron Tveit, Norbert Leo Butz, and Tom Wopat. After many positive reviews from critics, the musical moved to Broadway at the Neil Simon Theatre. It officially opened on April 10, 2011 and featured performances from many of the Seattle actors, including the leading three roles. The production closed four months later on September 4th after 170 performances.
About a year after closing on Broadway, Troika Entertainment started a national tour of the United States in Providence, Rhode Island on October 7, 2012. The tour ran until July 28, 2013, finishing up at Costa Mesa, California. The first international production of Catch Me If You Can opened at the Blue Square theatre in South Korea in March 2012.
Trivia
- Catch Me If You Can's original Broadway production was nominated for four Tony Awards in 2011, including Best Musical and Best Orchestrations. It was also nominated for six Drama Desk Awards (including Outstanding Lyrics, Outstanding Music, and Outstanding Orchestrations), three Outer Critics Circle Awards (including Outstanding New Score), and a Drama League Award for Distinguished Production of a Musical.
- Celebrities that have starred in Catch Me If You Can (aside from those mentioned above) include: Kerry Butler, Linda Hart, Nick Wyman, and Brandon Wardell.
Critical Reaction
"A sheer delight [...] this generation's answer to How To Succeed In Business Without Really Trying [...] poignant and brilliant book by Terrence McNally [...] seamless in weaving together drama, comedy, dance, acting, genuine scenes of pathos and casual banter with the audience and orchestra." - The Huffington Post
"Super-slick [...] boasts superb craftsmanship, sophisticated design work, tuneful songs in a breezy range of '60s styles and a deluxe cast. [...] Marc Shaiman and Scott Wittman again prove themselves an ace songwriting team. Their score evokes cocktail lounges, glitzy floorshows, Rat Pack suaveness, mellow jazz and energized go-go, all wrapped up in Shaiman and Larry Blank's silky-smooth '60s-styled orchestrations." - The Hollywood Reporter
"[Catch Me If You Can] uses the TV song-and-dance show the way Chicago uses vaudeville: It's the structure through which we meet the characters and watch the plot develop." - The New York Times
"Offer[s] considerable entertainment value [...] The score by Marc Shaiman and Scott Wittman is more ambitious than their work on Hairspray." - Variety
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Billing
- Book by
- Music by
- Lyrics by
Based on the DreamWorks Motion Picture
Requirements
advertising and all paid publicity, in the following manner:
CATCH ME IF YOU CAN
The Musical
Based on the DreamWorks Motion Picture
Book by
Terrence McNally 50%
|
Music by
Marc Shaiman 50%
|
Lyrics by
Scott Wittman
Marc Shaiman 50%
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Stacey Mindich Yasuhiro Kawana Scott & Brian Zeilinger The Rialto Group The Araca Group
Michael Watt Barbara & Buddy Freitag Jay & Cindy Gutterman/ Pittsburgh CLO Elizabeth Williams
Johnny Roscoe Productions/Van Dean Fakston Productions/Solshay Productions Patty Baker/Richard Winkler
Nederlander Presentations Inc. and Warren Trepp
in association with
Remmel T. Dickinson Paula Herold/Kate Lear Stephanie P. McClelland Jamie deRoy Barry Feirstein Rainerio J. Reyes
Rodney Rigby Loraine Boyle Amuse, Inc. Joseph & Matthew Deitch/Cathy Chernoff Joan Stein/Jon Murray
"The World Premiere of CATCH ME IF YOU CAN was produced by The 5th Avenue Theatre, David Armstrong, Executive Producer and Artistic Director; Bernadine Griffin, Managing Director; Bill Berry, Producing Director"
Arrangements by
Marc Shaiman
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Orchestrations by
Marc Shaiman and Larry Blank
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Included Materials
Item | Quantity Included |
---|---|
LIBRETTO/VOCAL BOOK | 30 |
PIANO CONDUCTOR'S SCORE | 1 |
PIANO VOCAL SCORE | 1 |
Production Resources
Resource |
---|
ALT: FULL SCORE VOL 1 OF 4 |
ALT: FULL SCORE VOL 2 OF 4 |
ALT: FULL SCORE VOL 3 OF 4 |
ALT: FULL SCORE VOL 4 OF 4 |
CUSTOMIZABLE SHOW POSTER |
FULL SCORE VOL. 1 OF 4 |
FULL SCORE VOL. 2 OF 4 |
FULL SCORE VOL. 3 OF 4 |
FULL SCORE VOL. 4 OF 4 |
KEYBOARD PATCH SOLUTIONS |
KEYBOARDTEK |
LOGO PACK |
LOGO PACK DIGITAL |
LOGO TEES SIX-PACK ADULT LARGE |
LOGO TEES SIX-PACK ADULT MEDIUM |
LOGO TEES SIX-PACK ADULT SMALL |
LOGO TEES SIX-PACK ADULT X-LARGE |
LOGO TEES SIX-PACK ADULT XX-LARGE |
LOGO TEES SIX-PACK CHILD LARGE |
LOGO TEES SIX-PACK CHILD MEDIUM |
LOGO TEES SIX-PACK CHILD SMALL |
PERFORMANCE ACCOMPANIMENT RECORDING |
PRODUCTIONPRO-DIGITAL SCRIPT/SCORE |
REFERENCE RECORDING |
REHEARSAL ACCOMPANIMENT RECORDING |
REHEARSCORE APP |
SCENE PARTNER |
SCENIC PROJECTIONS |
SCENIC PROJECTIONS PRO |
SCENIC PROJECTIONS-ANIMATED |
SCENIC PROJECTIONS-STILL |
STAGE MANAGER SCRIPT |
STAGE WRITE APPLICATION |
SUBPLOT CUSTOMIZED SHOW POSTER |
TRANSPOSITIONS-ON-DEMAND |
VIRTUAL STAGE MANAGER |
STANDARD ORCHESTRATION
Instrumentation | Doubling |
---|---|
BASS | ACOUSTIC BASS , ELECTRIC BASS |
DRUMS | COWBELL , DRUM KIT , SLEIGH BELLS , TRIANGLE |
GUITAR | ACOUSTIC GUITAR , BANJO , ELECTRIC GUITAR , GOSPEL STRAT , SOLID BODY ELECTRIC , STEEL ACOUSTIC , STEEL STRING RHYTHM , TELECASTER |
KEYBOARD 2 | |
KEYBOARD 3 | |
REED 1 | ALTO FLUTE , ALTO SAXOPHONE , CLARINET , FLUTE , SOPRANO SAXOPHONE |
REED 2 | CLARINET , FLUTE , OBOE , TENOR SAXOPHONE |
REED 3 | BARITONE SAXOPHONE , BASS CLARINET , CLARINET , FLUTE |
TROMBONE | |
TRUMPET | FLUGELHORN , TRUMPET |
TRUMPET 2 | FLUGELHORN , TRUMPET |
ALTERNATE ORCHESTRATION
Instrumentation | Doubling |
---|---|
ALT: BASS | ACOUSTIC BASS , ELECTRIC BASS |
ALT: CELLO | |
ALT: DRUMS | COWBELL , DRUM KIT , SLEIGH BELLS , TRIANGLE |
ALT: GUITAR | ACOUSTIC GUITAR , BANJO , ELECTRIC GUITAR , GOSPEL STRAT , SOLID BODY ELECTRIC , STEEL ACOUSTIC , STEEL STRING RHYTHM , TELECASTER |
ALT: KEYBOARD 2 | |
ALT: KEYBOARD 3/GUITAR | ELECTRIC GUITAR , KEYBOARD |
ALT: PERCUSSION | BELL TREE , BONGOS , CASTANETS , CHIMES , CLAVES , CONGAS , GLOCKENSPIEL , MARACAS , MARK TREE , SANDPAPER , SHAKER , SLEIGH BELLS , SLIDE WHISTLE , SUSPENDED CYMBAL , TAMBOURINE , TEMPLE BLOCKS , TIMPANI , TRIANGLE , TUBULAR BELLS , VIBES , WHIP , WIND CHIMES , WOOD BLOCKS |
ALT: PIANO CONDUCTOR SCORE | |
ALT: PIANO VOCAL SCORE | |
ALT: REED 1 | ALTO FLUTE , ALTO SAXOPHONE , CLARINET , FLUTE , SOPRANO SAXOPHONE |
ALT: REED 2 | CLARINET , FLUTE , OBOE , TENOR SAXOPHONE |
ALT: REED 3 | BARITONE SAXOPHONE , BASS CLARINET , CLARINET , FLUTE |
ALT: TROMBONE | |
ALT: TRUMPET 1 | FLUGELHORN , TRUMPET |
ALT: TRUMPET 2 | FLUGELHORN , TRUMPET |
ALT: VIOLIN 1 & 2 |