Full Synopsis
Act One
An offstage voice announces, "Ladies and gentlemen, a big welcome for the next President of The United States… Senator Reed Chandler!!!" Television reporters appear on a television screen and report that Senator Reed Chandler is "a veritable shoo-in for the presidency of the United States." Below the screen, The Senator sits beneath his mistress Donna, who none too subtly screams out in pleasure, until she realizes that The Senator is no longer moving, or breathing.
The Senator rises from his death bed, and looks incredulously at his dead body. Grahame, The Senator's brother, as well as the genius behind his presidential campaign, walks in on crutches, with his legs in braces, and looks over his dead brother's body. He asks the ever-present security advisor, Peter, if anyone has told Violet, Reed Chandler's wife. When Violet enters screaming, "You Son-Of-A Bitch!", that question is quickly answered. Reed, realizing the spin it is going to take to remedy the situation he has caused, announces the ensuing fervor triumphantly, ("Let the Games Begin").
During ("The Funeral") America asks if "there's another Chandler waiting in the wings", and Violet coldly answers, "There is." The other Chandler is Reed's only son Cal, who has different aspirations than his father. A far cry from the presidency, Cal dreams of being a guitar playing rock star, ("One, Two, Three").
Devastated by the loss of all he has worked for, Grahame struggles to move on with his life. Violet interrupts him, and convinces Grahame to help her mold Cal into a presidential candidate, and to not dwell on the failure of the past, but to ("Embrace Tomorrow"). Tempted with the promise of a judgeship, Grahame reluctantly agrees.
Grahame and Violet waste no time in getting their new project into the public eye, and enlist a reluctant Cal into the army. Grahame, Violet, and The Army Sergeant slowly turn Cal into a soldier, ("Army Chant"). Cal still feels some reservations about a life in politics, but his father, Reed, returns to give his son a little pep talk, and convince him that the sacrifices he's to make will be more than made up for in power and ("Control").
After returning from battle, one purple heart richer, Cal is confronted with Violet, Grahame and Peter's next part of their plan, a wife. Deborah Pullman, the pert and perfect wife, is presented to Cal, as Grahame, Violet, Peter, and several reporters explain to Cal that he and she will make the perfect, ("Man and Wife")
Grahame and Violet next bring in Leslie Pynchon, a media coach, to perfectly breed Cal for the media, and to convince all of America that Cal is not a loafing slacker, but instead, ("America's Son"). By the end of her work, Leslie has trained a candidate perfect for public appearances and speeches, which Cal proves during the brilliant presentation of his canned speech, ("I See the Future").
The speech is such a success that Calvin gets elected to City Council. However, after the election, Cal gets no time for celebration as Grahame sends him home to rest up for the next election, that of Governor. Cal gets a little sidetracked on the way home, and ends up at a seedy strip club, where the sultry Tina sings, ("Lonely is a Two Way Street"). Taken by Tina's candid attitude towards life, Cal immediately falls for her, and they dance off into the shadows. This affair does not go unnoticed, by one of the bar's frequent patrons, Frankie, one of the mobster Anthony Gliardi's henchmen.
After an evening of alcohol, cocaine, and Tina, Cal arrives at his press conference visibly hung over. He fumbles, struggling to find the correct prepared speech, but comes up with nothing ("Press Conference/Simple Words"). Finally Cal explodes, and blurts out, "Just fuck it, OK!" At first the reporters are shocked, but Cal, taking lessons from his new friend Tina, just explains the situation frankly and bluntly. This newfound honesty has never before been seen in a politician, and the reporters are quickly swayed, and Cal is proclaimed, "a genius!"
Armed with a new confidence, Cal challenges Grahame, who is infuriated by Cal's behavior. Cal decides he has discovered his own political idiom, and doesn't need Grahame anymore, and lets Grahame know so.
Tina arrives and gives Grahame a gift, an engraved watch, and together they celebrate Grahame's new popularity, by shooting up some heroine together ("Alleluia"). Unfortunately, their tryst is caught on film, and it will only be moments before the photos are released to the public, ("Flash, Pop, Sizzle/ Who Said"). Grahame and Violet are infuriated, but Cal turns their blame back on them and scolds them, ("Don't Blame the Prince"). Grahame turns to his old friend, mobster, Anthony Gliardi, who has already secured the negatives, but Grahame asks him to go one step further, to ensure that the photographer is silenced as well. Grahame's knows his dealings are neither safe, nor moral, but sometimes in politics it is important to break some rules, and play, ("Dangerous Games").
Act Two
As act two begins Grahame wonders how his life has gotten so out of control. He thinks back to a time when he and his brother both seemed destine to live lives of promise and hope together, back when they were ("Two Guys at Harvard"). However, as college wore on it became clear that Reed would always be the successful son, and Grahame, although smarter, would never surpass his brother, due to his crippling polio. While thinking back to this deciding time in his life, Grahame's situation worsens, and a doctor relegates him to a wheelchair for life, ("First Came Mercy").
Meanwhile, Cal's drugged out, drunken binges have only gotten worse, and he and Tina's tryst is nearly impossible to hide, ("Alleluia/ One, Two, Three Reprise). After Cal misses three press conferences in a row, things spiral out of control. To add to the dilemma Gliardi has come to collect on his earlier favor. The press is calling Gliardi terrible things, and he needs Cal to assure the public that he is in fact, an upstanding citizen. Realizing the seriousness of the situation, Grahame and Violet decide to rid the entire mansion of drugs, and temptation, including Tina, ("Cleaning House") Cal pleads with Grahame, explaining to him that he needs his drugs, because it makes him strong, and gives him, ("The Upper Hand") Grahame realizes that Cal is a lost cause, and walks away, resigned.
Meanwhile, Violet is getting drunk and losing control, realizing that her life has been nothing but calculated, ("Spin"). Grahame approaches a very drunk Violet, and informs her of his resignation, claiming that he never should have tried to form Cal into something that he wasn't, and he especially shouldn't have hidden Cal's questionable paternity. In a flashback it is revealed that Violet used to sneak off in the night and have lustful affairs with a murderer, Bobby "Cracker" Barrel, in his car. However, the murder was eventually caught, and put to death, thus dying with the truth that he was the true father of Calvin Chandler, ("The Ballad of Bobby 'Cracker' Barrel").
Cal looks in a mirror and sees a man he no longer recognizes. He is confused, and depressed and yearns for a time long ago, a time when his life was carefree, and nothing more than, ("Child's Play").
Defeated, Cal heads out to his press conference and starts on his prepared speech. However, as he gets to the part about Anthony Gliardi, he breaks down, and admits, "He's a crook." As the world reacts to this stunning announcement, Cal longs for Tina, (Simple Words/ Dangerous Games Reprise). Tina is alone, however, and thinking that she has forever lost Cal, she laments that she has been seduced by the, ("Mistress of Deception"). As her self-torture ends, Cal returns, and passionately tells her, "I'm going to leave Deborah. I'm going to leave my wife. And I want us to be together."
Gliardi enters, infuriated by Cal's public statement, and as the Tina and Cal dance, Gliardi draws a gun, and shoots Calvin dead. As Tina protests, Gliardi finishes the job, by finishing her as well. The full ensemble, including Violet, Deborah, and Deborah and Calvin's son, Calvin Chandler Jr., enters to mourn the fallen hero, ("Finale"). The Reporters ask if there is, "Another Chandler waiting in the wings?" Violet reaches for Calvin Chandler Jr. and holds him tight to her, assuring that yes, there is.
Show History
Inspiration
The Fix is a political musical comedy with a book and lyrics by John Dempsey and music by Dana P. Rowe. The two had previously worked together on the musical Zombie Prom and were inspired by the stereotypical corruption that exists in American politics. The musical was initially developed under theworking title of Cal: A Musical Tale of Relative Insanity, when it attracted the attention of megaproducer Cameron Mackintosh (Cats, Les Miserablés, Miss Saigon). The sheer originality of the piece caught Mackintosh's eye, and he became the motivating cog in the machine. Not only was Mackintosh the one to bring the show to Sam Mendes and the Donmar Warehouse, he was the one to co-produce the American premiere at the Signature Theatre, despite having a short run in London initially.
Productions
The Fix premiered at the Donmar Warehouse in London April 29, 1997. It was directed by Sam Mendes, then the artistic director of the Donmar Warehouse, and starred John Barrowman, Kathryn Evans, and Phillip Quast. The show ran for less than two months, but attracted the eye of critics. Soon after, the musical was brought to the United States for its premiere at the Signature Theatre in Arlington, Virginia from March 17 to April 26, 2008. The Fix premiered in the tri-state area with a production at Princeton University in 2003. In June 2012, The Fix was reimagined to take place in a 1960s "Kennedy-esque" environment in a revival in The Union Theatre in London. The Signature Theatre revived the musical for its 2014-2015 season.
Trivia
- The original West End production of The Fix was nominated for four Olivier Awards in 1998, including Best New Musical. The Signature Theatre production was nominated for ten Helen Hayes awards, while the London revival was nominated for seven Off West End Awards, including Best Musical Production.
- The original West End production of The Fix also featured performances from such notable actors as John Partridge (Young Bobby "Cracker" Barrel) and Rebecca Front (Newscaster).
Critical Reaction
"A knife-edged and courageously rock-edged score by two unknown Americans [...] never since the arrival of Sondheim and Kander/Ebb have I been so sure of a new American musical talent" - The London Spectator
"A brand new 'clean-sheet' musical pushing hard to evolve the form of the American musical [...] [after seeing The Fix] I knew I had witnessed in the emergence of its creators major new talents in music theatre" - Pete Townshend
"Skewers the American bureaucratic machine. Reminiscent of Sondheim, with tinges of Kander and Ebb and a voice uniquely its own, it is a darkly brilliant, over-the-top, audaciously fun ride through the shenanigans of political elections." - Signature Theatre
"A powerful story of American politics [...] the brilliant book and lyrics by John Dempsey do more than take a swipe at the political system. They explore the personalities and motives of the main characters (and in the process reveal the skeletons they have in their own cupboards.) [...] This is great musical theatre." - Stage Musical Appreciation Society
"A startlingly original musical [...] they've hit the dark side of American politics and scored a bullseye. The score has tremendous confidence and ranges from ballads, gospel and point numbers to up tempo pastiche. But it's the lyrics that count. Not since the young Stephen Sondheim has there been such seemingly artless craft." - Applause Magazine
"[A] wicked fun [...] luridly overblown comedy of lethally bad manners. The Washington Post
The most corrosive, explosive and gleefully wicked musical comedy to come along in some time [...] in Dempsey and Rowe, the theater has found a new composing team for all seasons." - Associated Press
Olivier Award
Helen Hayes Award (Washington, DC)
Helen Hayes Award
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Billing
- Music by
- Book and Lyrics by
Requirements
Included Materials
Item | Quantity Included |
---|---|
LIBRETTO/VOCAL BOOK | 25 |
PIANO VOCAL SCORE ACT 1 | 1 |
PIANO VOCAL SCORE ACT 2 | 1 |
Production Resources
Resource |
---|
FULL SCORE ACT 1 |
FULL SCORE ACT 2 |
HOW DOES THE SHOW GO ON-10/CS |
HOW DOES THE SHOW GO ON? |
REFERENCE RECORDING |
TRANSPOSITIONS-ON-DEMAND |
STANDARD ORCHESTRATION
Instrumentation | Doubling |
---|---|
BASS | |
DRUMS | |
GUITAR | |
KEYBOARD 2 | |
PIANO CONDUCTOR'S SCORE ACT 1 | |
PIANO CONDUCTOR'S SCORE ACT 2 | |
REED 1 | ALTO SAXOPHONE , BARITONE SAXOPHONE , CLARINET |
REED 2 | CLARINET , FLUTE , TENOR SAXOPHONE |
TRUMPET |