Audition Central: Fame The Musical JR.

Script: Mr. Myers

SIDE 1

CARMEN

Yo, Mr. Myers. I need to be excused from class on Friday. See, they re doing a revival of West Side Story. And I am like perfect for the role of Anita.
 

MR. MYERS

I m sorry, Carmen. The last thing you need right now is another character to hide behind.
 

CARMEN

What s that supposed to mean?
 

MR. MYERS

Carmen, the first rule of acting is  know thyself. If you don t learn to deal honestly with your own emotions, you ll just be another pretty face that nobody cares about.

(MR. MYERS exits.)
 

CARMEN

(calling after him)
You re wrong about me, Mr. Myers. I m gonna make it.  Cause I got what it takes. From now on I got three things to worry about. Me, myself and I! One day you re gonna see my name up in lights. Carmen Diaz.

MABEL

Sparkle, girl! Sparkle.

CARMEN

I m talkin Broadway, movies&

MABEL

Atlantic City, Radio City&

CARMEN

People are gonna shiver when they see me comin &

MABEL

Shiver, honey. Shiver!

CARMEN

They ll say,  There she goes! Carmen! Not the movie, not the opera, but the human being!!!

SIDE 2

MR. MYERS

Carmen& I just heard the news. You re dropping out of school?
 

CARMEN

Today s my last day. They ll be poppin champagne corks in the teacher s lounge.
 

MR. MYERS

I know you ve had your difficulties at P.A., but believe me, no one is happy to see you leave.
 

CARMEN

Oh, yeah? I wish I could say the feeling s mutual.
 

MR. MYERS

You know, Carmen, your anger could be your greatest asset. But you ve got to make it work for you, instead of against you. If you don t, it will eat you alive.

(MR. MYERS starts to exit before turning to say one last thing to CARMEN.)

Look, I can t make you stay. But if you leave, you ll be making the biggest mistake of your life.

(MR. MYERS exits. After he s gone, CARMEN pounds her fist on her locker. SCHLOMO enters.)
 

SCHLOMO

So, you made up your mind. And I m the last to hear about it.
 

CARMEN

Please, don t you start buggin me too.

(CARMEN goes back to packing.)
 

SCHLOMO

Carmen, I m your friend. I care what happens to you.
 

CARMEN

Then be my friend and get off my case.
 

SCHLOMO

But you hardly know this guy.
 

CARMEN

Elliot Green came to New York to scout talent, and he found me!

(slamming her locker shut)

He s got faith in me. Which is more than I can say for you.
 

SCHLOMO

But what about the band? What about us?
 

CARMEN

I can t pass this up. Besides, the band ain t goin nowhere.
 

SCHLOMO

Who says? Mr. Showbiz?
 

CARMEN

He s a professional agent. He s got all kinds of things lined up for me in L.A.
 

SCHLOMO

You know what your problem is? You want everything too fast. Instant fame. Unfortunately, that only happens in fairy tales.

(SCHLOMO starts to exit, then without turning back:)

You know, Carmen, you and me, we coulda really been something.
 

SIDE 3

SERENA

 Good pilgrim, you do wrong your hands too much Which mannerly devotion shows in this; For saints have hands that pilgrim s hands do touch, And palm to palm is holy palmer s kiss.
 

JOE

Yo! Julie baby! Have not saint s lips, and holy palmers, too, Mamacita!?
 

SERENA

Wait a minute! What s with the ad libs?
 

JOE

I m drawin from my own experience, okay?
 

SERENA

But Romeo wasn t born in the Bronx.
 

JOE

Right!

(to MR. MYERS)
So what am I doin here?
 

MR. MYERS

I cast you in this role so you could stretch yourself.
 

JOE

Mr. Myers, I ain t gonna cut it. You gotta replace me.
 

NICK

You re too busy thinking about yourself. You should be concentrating on the beautiful girl standing right in front of you.
 

SERENA

(miffed)
Excuse me. Why, may I ask, are you butting in?

NICK

I want to help.

SERENA

Who needs help?

JOE

We do! We do! Sir Lawrence, knock yourself out.

(JOE takes a seat as NICK gets up.)

NICKI

mean, think about it. Romeo and Juliet grew up in the same small town. They may have seen each other every day of their lives. But on this night, this special night& it s as if he s seeing her for the very first time.

(SERENA is starting to catch the special meaning in NICK s words.)

Maybe it would make more sense if I showed you.

SERENA

Yeah& maybe it would.

NICK

(taking her hand)
 O! Then dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair.

SERENA

 Saints do not move, though grant for prayer s sake.

NICK

 Then move not, while my prayer s effect I take. Thus from my lips, by thine, my sin is purged.

(NICK stares at her. The CLASS bursts into applause, whistles and catcalls.)

MR. MYERS

Let s see a show of hands. How many of you  believe this Romeo?