John Barry
John Barry
Barry's experiments with string arrangements (notably on his original album, Stringbeat), his arranger producer credits for EMI artists, and his long held desire to compose using a broader musical canvas, soon led to a series of assignments for low budget films. All that changed when James Bond entered the picture in 1962. Barry turned The James Bond Theme, written for the first Bond movie, Dr. No, into a commercial success, making him first choice of producers Albert R. Broccoli and Harry Saltzman to write the scores for subsequent films. His bold, brassy and exciting music became a key element of the Bond formula. He scored From Russia With Love, pushed The Beatles out of the no. 1 album spot in America with Goldfinger, and maintained the tradition throughout the 60s with Thunderball, You Only Live Twice and On Her Majesty's Secret Service. The latter was especially noteworthy for Barry's collaboration with lyricist Hal David and vocalist Louis Armstrong on the touching love song "We Have All the Time in the World."
Barry remained James Bond's composer through three decades and three more Bonds (George Lazenby, Roger Moore, Timothy Dalton), 12 films in all, to 1987's The Living Daylights. His Bond title songs have been performed by some of the hottest names in popular music, from Shirley Bassey (Goldfinger, Diamonds Are Forever) to Duran Duran (A View to a Kill), Chrissie Hynde and a-ha (The Living Daylights). But, while Barry was becoming world-famous for his Bond music, he was also embracing very different musical styles for very different movies in the mid-60s: a light and lyrical touch for the African-lion family film Born Free, which won him Oscars for Best Song and Best Score; a taut, dramatic and surprisingly American score for producer Sam Spiegel's all-star The Chase; and jazzy contemporary organ solos for Richard Lester's films, just to name a few.
Originally considered an action composer - largely on the basis of his famed James Bond scores - Barry began to shed that label with several richly romantic scores in the 70s and 80s, notably the Sean Connery-Audrey Hepburn Robin Hood tale Robin and Marian and the cult favorite Somewhere in Time, whose multiple cable TV showings turned the soundtrack into a gold-record hit. A steamy, jazz-inflected score for Body Heat followed, as did an expansive, moving and unforgettable score for Sydney Pollack's film Out of Africa, which won Barry his fourth Academy Award. He also won a Grammy and a Golden Globe for Out of Africa, and collected yet another Grammy for his music for Francis Ford Coppola's The Cotton Club.
A serious illness in 1988 led to a long recuperation period for the composer. He returned after a two-year hiatus with a complex and thrilling symphonic score for Kevin Costner's epic western Dances With Wolves, earning him a fifth Oscar and a fourth Grammy. After that, there have been a variety of accomplishments in many different arenas of music, including another Oscar nomination (for the melancholy score of Chaplin) and a 3-D IMAX movie (the New York travelogue Across the Sea of Time). The year 1995 was of particular note, with strong dramatic scores produced for The Scarlet Letter and Cry, The Beloved Country. He had three scores rejected or withdrawn in the 1990's, however: The Horse Whisperer (1998), Goodbye, Lover (1998), and Year of the Comet (1992).
Barry was serious about his professional privacy. He did not want to be pressured by directors, producers, or music supervisors (which he detests). He turned down assignments for The Prince of Tides because he didn't want to report everyday to Barbara Streisand; nor did he agree to score Sleepless in Seattle after discovering that he'd have to share time with 20 songs that the producers wanted on the album. He enjoyed conducting in private, among the knowledgeable musicians of Los Angeles. Of his own scores, Barry's favorites were The Lion in the Winter, the massive, 1968 Academy Award winning score, Zulu, with a theme that was re-used in 1995's Cry, The Beloved Country, and his Academy Award winning efforts for Out of Africa and Dances with Wolves. His least favorite of his own 1986 works were Howard the Duck, which he tried desperately to have pulled from the film (but failed), and The Golden Child, in which Barry was partially successful in having his own score pulled from the film. Barry also recalled that his least favorite recording experience was Born Free, which had a very hurried production schedule.
In Spring 1998, John Barry signed to Decca Records as a recording artist, which led to the release of The Beyondness of Things, his first album of non-soundtrack music for 25 years. This lush and colourful album of original music also heralded his triumphant return to the concert hall: he conducted the English Chamber Orchestra in London's Royal Albert Hall in 1998 and then again in 1999. His final release on Decca is a collection of jazz tunes for Miramax's Playing by Heart, expanded considerably for the album. In June 1999, John Barry was named an Officer of the British Empire by Queen Elizabeth II for his outstanding achievements in music. Then, in October 1999, he was honored at London's annual Music Industry Trust Dinner, a star-studded benefit that raised more than $200,000 for charity. He retired in Oyster Bay, New York, with his wife, Laurie, and son, Jonpatrick, before his eventual death in 2011.
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Did you see our latest news earlier in the week? Chitty flies again! We're thrilled to announce that rights to the full, 2-act version of Chitty Chitty Bang Bang are now available without restrictions for performances scheduled to take place before 31st December 2023. Applications for 2024 are currently restricted to those in venues of less than 500 seats. Apply today! www.mtishows.co.uk/chitty-chitty-bang-bang #chittychittybangbang #newrelease #trulyscrumptious
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Xanadu is now available for licensing! You have to believe we are magic... Xanadu is a moving, electrifying tale of endless fun that will keep audiences in stitches, while the original, legendary chart-topping tunes lift them out of their seats. Find out more: www.mtishows.co.uk/xanadu #xanadu #newshow #amateurtheatre #licensing #olivianewtonjohn #strangemagic
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Bravo to everyone at @_spotlight.theatre who went Into the Woods at Nottingham Arts Theatre earlier in the month. These photos look great! Photo credit: Martin Holtom. #intothewoods #nottingham #amateurtheatre #amdram
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A huge congratulations to everyone at @green_room_productions on their hugely successful production of Sunshine on Leith. We really would have walked 500 miles to grab a ticket. #sunshineonleith #pottersbar #amateurtheatre #wyllyotts
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Bravo to @curtaincallshrewsbury on their production of Roald Dahls Matilda the Musical JR. Theyre currently having the best time working on the show, and these wonderful photos prove it! Enjoy your final performances. #matildajr #broadwayjr #shrewsbury #roalddahl #youththeatre #maggots
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WHAT A PICTURE We'll definitely be sticking these in the family album A few snaps from @haslemereplayers dress rehearsal of KIPPS - The New Half a Sixpence Musical which runs at Haslemere Hall this week. Break a leg! #kipps #kippshalfasixpence #haslemere #haslemerehall #surreytheatre #surrey
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Do you love musicals and want to work at MTI? We're searching for a new Licensing Assistant / Receptionist. The successful candidate will be required to work from our newly refurbished office in London at 12-14 Mortimer Street, W1T 3JJ. The core duties/responsibilities will include: Reception duties: * answering a busy telephone switchboard * greeting all visitors to the office Amateur Licensing support: * show availability requests * answering basic enquiries both via phone and in email * general administrative support as required Professional Licensing support: * general enquiries * generation of invoices as per instructions from the Professional Licensing team * vetting of foreign language translations The successful candidate will have a keen interest in musical theatre (on or off stage) and have excellent administrative skills. For full details visit: https://www.mtishows.co.uk/.../job-vacancy-licensing... #vacancy #licensing #receptionist #job #musicals #opportunity
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JTF is making the news! @skynews @fyi_skykids came to Birmingham last month to share the power of jazz hands and spirit fingers with a wider audience. The JTF piece will air Saturday at 10:30 and 16:30 and then on Sunday at 10:30. We can't wait! Check out this sneak peak, which follows Timi from The British Theatre Academy. #jtf22 #news #jazzhands #broadwayjr
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