Pacific Overtures
Two friends caught in the inevitable winds of change tell of Japan's painful and harrowing Westernization.
Show Essentials
16
Roles
+ Ensemble
12
Rated
2
Acts

Full Synopsis

Act One

Three Japanese musicians enter and take positions on a low platform at the side of the stage and play their instruments. The stage and the auditorium go black. The stage and house lights come up revealing the Reciter in front of the show curtain, forehead touching the floor in deep prayer.

The Reciter rises and introduces Nippon, The Floating Kingdom: an island empire that for centuries has lived undisturbed by intruders. There was a time when foreigners were welcome there, but they took advantage of Nippon's friendship. They were driven out two hundred and fifty years ago by sacred decree and ordered to never set foot on the ancestral soil. From that time on, there has been nothing to threaten their consistent state of peace ("Advantages").

A Japanese prisoner in Western dress enters and is taken to the Shogun's court to be examined, but the Shogun is not there. Instead, Lord Abe, First Councilor to the Shogun, questions the man, who is identified as John Manjiro. He is a Japanese fisherman who is dressed in Western garb because, several years prior, he was rescued at sea by Americans and taken to Massachusetts. He has returned from America to Japan, despite facing the death penalty twice over - once for having left, and once for having returned - to warn his countrymen of the rumors that America is planning to send an expedition to Japan. The Shogun's councilors doubt Manjiro and sentence him to death. However, they cannot rule out the possibility that he may be right and begin preparations to deal with the Americans should they arrive.

The Shogun's Councilors approach Kayama Yesaemon, a samurai of little consequence. They inform Kayama that they have selected him to be Prefect of Police of the City of Uraga. He must meet the Americans when they arrive by taking a boat to their ships, and order them to leave immediately. Kayama has no choice but to accept the responsibility. He returns to his wife, Tamate, and tells her the news. At first, she is happy with his promotion but he explains it is a death sentence that has been given to him because none of the Shogun's Councilor's want the job. If he tells the ships to leave and they do not, he will have failed; he will be disgraced and have no choice but to take his own life. Tamate insists there is an alternative, Kayama assures her there is not ("There Is No Other Way").

A bell sounds in the distance, signaling that the Americans have arrived. A Fisherman notices the American ships off the coast. People flee and different laypeople express what they see as the ships approach ("Four Black Dragons"). Meanwhile, on the deck of the U.S.S. Powhatan, sailors stand at attention. The leader, Commodore Matthew Calbraith Perry, is revealed. Kayama approaches the American ship, crouching in a tiny guard boat. He tells the Americans to leave, but they have no interest in talking with the Prefect of Police. They tell Kayama they wish to only speak with the Councilors.

Kayama reports this information to the Councilors. He devises a plan with them to have Manjiro pose as a Councilor and deal with the Americans. Manjiro gets the Officers' attention, but Commodore Perry will only speak with the Shogun. He then presents a letter from President Millard Fillmore: the Japanese have six days to prepare a ceremony, in which the Commodore will bring the letter to the Shogun on land. Manjiro protests but the Americans do not budge. The only choice left is to get Tokugawa Ieyoshi - the Shogun - to deal with the Americans. Abe, Manjiro and Kayama go to visit the Shogun in his court. He is not well and is attended by his wife, mother, physician and soothsayer. The days pass and as the Shogun is unable to take action, his mother decides to solve the problem by making it so that there is no Shogun to receive the letter. She prepares a special tea, with poison mixed in, for her son ("Chrysanthemum Tea"). He drinks it and promptly dies.

Despite the Shogun's death, the Americans' maintain their intentions of coming ashore to deliver the letter; the Head Councilor orders that Kayama and Manjiro be killed but Kayama reveals that he has a plan. He believes the Americans should come ashore, but only at Kanagawa where there is a small cove. Provided they cover the sand with mats, and build a special treaty house in the cove, the Americans can deliver the letter without setting foot on Japanese soil. After the meeting, they plan to destroy the house and the mats. The Councilors agree to the proposal and promote Kayama to Governor of Uraga. Kayama also gets them to revoke Manjiro's death sentence. Kayama then returns to his wife in Uraga, and he brings Manjiro with him for company. As they travel, Kayama and Manjiro compose poems for their two loves, Tamate and America, respectively ("Poems").

Upon their return, Kayama runs inside his house leaving Manjiro outside. He excitedly relays what has happened, and does not notice that Tamate is still turned away from him in a kneeling position at the household shrine. He discovers that Tamate, thinking he is dead, has already killed herself. He is heartbroken but composes himself and rejoins Manjiro without saying a word.

As they exit, a garish middle aged Madame enters leading four reluctant girls to meet the Americans - she explains that her regular girls have fled in fear. She instructs the girls as to how best meet the American men and make them feel 'comfortable' ("Welcome To Kanagawa").

The Americans prepare a variety of gifts to take with them when they go on land, all of which depict Western Culture. The Japanese Councilors have only a few exquisitely wrapped packages, each carefully selected, which reflect some aspect of the Japanese craftsmanship and culture. The Americans deliver the vast array of gifts and look a bit skeptically at the few Japanese presents. The Americans insist that their mission is a peaceful one, but the Japanese are unable to trust them. They have assembled an army on horseback to intimidate the Americans, but the Americans laugh at them.

Meanwhile, in Commodore Perry's personal journal, he writes that he hopes the Japanese will accept the reasonable and 'pacific overtures' embodied in his friendly letter to them. If they refuse to join the rest of the world and insist on standing alone in isolation, then he will use whatever means necessary to introduce them to the rest of the world.

The Councilors wait for the Americans to arrive at the treaty house. The Reciter then informs the audience that there is no record of what was said inside the treaty house, except for the American one, which is not trustworthy. He laments the absence of an authentic Japanese account of what took place. An old man steps forward, explaining that as a small child he hid in a tree and watched the proceedings. He begins to tell what he saw; he is joined by a samurai warrior who tells what he heard, while he was hidden under the floorboards. Together they piece together the record of the event ("Someone In A Tree").

After the meeting, the Japanese destroy the mats and the treaty house as planned. The Westerners have been kept at bay for the next two hundred and fifty years, or that is what the Japanese believe. The lion-like figure of Commodore Perry jumps out performing a strutting, leaping dance of triumph. He exits waving two American flags.

Act Two

The Reciter enters and kneels at the side of the stage. The curtain rises revealing the Imperial Court in Kyoto, the Emperor, a Priest, and two bored Nobles. Though the Emperor is the sacred ruler of Japan a thousand years ago, his power was wrested from him by the warlord named Shogun and since that time, the Emperor has ruled in name alone. Even though the court supposedly rules over the Emperor, they still lie down in homage before him out of respect. The Emperor is very happy that the Americans did not set foot on Japanese soil and he acknowledges Lord Abe Mashiro as the thirteenth Shogun of the Empire of Japan. The Emperor formally acknowledges Kayama Yezaemon as Governor of the City of Uraga and, finally, the Emperor rescinds the sentence of death imposed on the fisherman Manjiro. He is elevated to the rank of samurai. They all believe the Americans will not be back.

Abe is surprised by the sudden sound of a marching band. An American Admiral enters, carrying a plaque and some official documents. The Admiral informs Abe that the Americans are back for a much longer visit. After an American cannon fires, Abe feels he has no choice but to sign a document letting them come back. Suddenly, a British Admiral appears with a letter from Queen Victoria demanding that the British be allowed to use the port for trading purposes. Hearing a British explosion, Abe reaches for these documents and signs them. A Dutch Admiral then enters and demands that Abe sign a treaty with him. Soon, a Russian Admiral appears for the same purpose, and then a French; Abe is forced to open the country to all of the Westerners ("Please Hello").

Despite the Emperor's displeasure with the Western presence in Japan, it is moving forward. Kayama writes a series of letters to Lord Abe telling him of the Westerners' expansion over the next 8 years. Soon, Kayama, along with much of Northern Japan, is transformed by Western traditions ("A Bowler Hat"). Mr. Jonathan Goble, a marine who once visited Japan ten years ago aboard one of Perry's ships, now returns to bring an American invention. He claims it will revolutionize all forms of city transport in Japan: rickshaws will be in every major city, pulled by the Japanese.

Elsewhere, Manjiro and other samurai practice their famous sword fighting. A beautiful Japanese woman in traditional garb sets out tea and watches them practice. Three British sailors watch her, believe that she is a geisha girl. They climb over a small fence and try to solicit her ("Pretty Lady"). However, when she calls for her father, they realize they are mistaken. It is too late and one is murdered by a samurai. Kayama reports the incident of the murdered sailor to Shogun Abe. They have sent a letter of apology to Queen Victoria and hope that all will be forgiven. The samurai have been reprimanded, but Kayama worries that it is unwise to punish them. Certain people of the Japanese South are treating them as heroes. Abe, however, is of the opinion that they must appease the Westerners until the Japanese have learned the secrets of their power and success. Samurai assassins enter and kill Abe. Kayama is left with a cloaked Samurai who reveals himself to be Manjiro. Kayama doesn't understand his transformation from the days when Manjiro loved the West, but Manjiro explains he was an ignorant country boy. They fight and Manjiro kills Kayama.

The Emperor's Lords of the South enter and thank Manjiro for standing up for Japan and killing the Shogun. They salute isolationism in the name of the Emperor. The Emperor appears for the first time, and says that his word will be law once more. He states that from that day forward, all samurai will put their swords aside and take up useful trades as Japan will turn its back on ancient ways and open itself up to the rest of the world. Not only will they match the West, they will surpass the Westerners at their own methods ("Next").

Casting
← Back to Pacific Overtures
Cast Size: Medium (11 to 20 performers)
Cast Type: Children
Dance Requirements: None

Character Breakdown

Reciter
The story's narrator and historian. He moves the story along and provides information on background and cultural customs. Often assumes the outer or inner voice of other characters throughout. An all-knowing presence who also portrays SHOGUN and GOBLE.
Gender: male
Age: 35 to 45
Vocal range top: G5
Vocal range bottom: A3
Lord Abe
First Councilor to the Shogun who later becomes the Shogun himself. Like the other Councilor's below him he is bossy, but lazy. Menacing and with a strong air of authority. Japanese.
Gender: male
Age: 40 to 60
Vocal range top: G5
Vocal range bottom: C4
Mother
The Shogun's mother. She tries to warn and provoke him to action when the Americans arrive, but with no results from him she poisons him. Japanese.
Gender: male
Age: 35 to 50
Vocal range top: G5
Vocal range bottom: C4
John Manjiro
A fisherman who was once taken prisoner and sent to America. Later becomes wise to them, however, and pretends to be the Shogun's Lord Councilor to intimidate the American sailors. Wise and experienced in the world. Japanese.
Gender: male
Age: 30 to 45
Vocal range top: G5
Vocal range bottom: C4
Kayama Yesaemon
A previously unimportant samurai. Is named Prefect of Police by the Shogun against his will, and must tell the Americans to return home. Clever, brave, proud and dutiful. Ultimately buys into the American way of life. Japanese.
Gender: male
Age: 25 to 40
Vocal range top: G5
Vocal range bottom: G3
Fisherman
A man lying out the nets for the day's fishing. He is the first to spot the American ships sailing in.
Gender: male
Age: 20 to 35
Vocal range top: G5
Vocal range bottom: C4
Thief
A petty thief who breaks into people's home while they are sleeping to steal their possessions. Thinks that the barbarians will steal things from people if he doesn't. Japanese. Optional Doublings: Russian Admiral, Sailor, Soothsayer, Warrior.
Gender: male
Age: 30 to 50
Vocal range top: G5
Vocal range bottom: B3
Madam
Runs a whorehouse. Gentle but very firm, she instructs and teaches the girls how to behave with the barbaric guests to the country. Trying to survive life. Japanese.
Gender: female
Age: 35 to 50
Vocal range top: G5
Vocal range bottom: C4
Warrior
A man who claims to have been hiding underneath the floor of the Treaty House the day the Americans came ashore at Kanagawa as an emergency aid if the Americans posed a threat. A loyal, proud man. Optional Doublings: Russian Admiral, Sailor, Soothsayer, Thief.
Gender: male
Age: 30 to 50
Vocal range top: G5
Vocal range bottom: A3
Old Man
A man who claims to have been hiding in a tree as a young boy when the Americans came ashore at Kanagawa. Excited and spirited. Defied in his age by his body. Optional Doubling as SECOND COUNCILOR and FRENCH ADMIRAL.
Gender: male
Age: 50 to 70
Vocal range top: G5
Vocal range bottom: A3
Young Boy
A boy who claims to have been hiding in a tree and spying when the Americans came ashore at Kanagawa. Proud of his accomplishment and cleverness. Energetic and youthful.
Gender: male
Age: 8 to 12
Vocal range top: G5
Vocal range bottom: A3
American Admiral
Comes to Japan from America with orders to open or spread trade with Japan. Pushy and jealous. Overly faux cheeriness. Optional Doublings: First Observer, Mother, Merchant.
Gender: male
Age: 35 to 50
Vocal range top: A5
Vocal range bottom: A3
British Admiral
Comes to Japan from the United Kingdom with orders to open or spread trade with Japan. Pushy and jealous. Overly faux cheeriness. Optional Doublings: Madam and Physician.
Gender: male
Age: 35 to 50
Vocal range top: G5
Vocal range bottom: B3
Dutch Admiral
Comes to Japan from the Netherlands with orders to open or spread trade with Japan. Pushy and jealous. Overly faux cheeriness. Optional Doubling as SHOGUN'S COMPANION.
Gender: male
Age: 35 to 50
Vocal range top: G5
Vocal range bottom: B3
Russian Admiral
Comes to Japan from Russia with orders to open or spread trade with Japan. Pushy and jealous. Overly faux cheeriness. Optional Doublings: Sailor, Soothsayer, Thief, Warrior.
Gender: male
Age: 30 to 50
Vocal range top: G5
Vocal range bottom: F3
French Admiral
Comes to Japan from France with orders to open or spread trade with Japan. Pushy and jealous. Overly faux cheeriness. Optional Doublings: Second Councilor and Old Man.
Gender: male
Age: 30 to 40
Vocal range top: G5
Vocal range bottom: C4
Ensemble
Townspeople, First And Second Officers, American Sailors, Prostitutes, Marching Band, Enlisted Men, Old Men, People Of Modern-Day Japan
Full Song List
Pacific Overtures: The Advantages Of Floating In The Middle Of The Sea
Pacific Overtures: There Is No Other Way
Pacific Overtures: Four Black Dragons
Pacific Overtures: Chrysanthemum Tea
Pacific Overtures: Poems
Pacific Overtures: Welcome To Kanagawa
Pacific Overtures: Someone In A Tree
Pacific Overtures: Please Hello
Pacific Overtures: A Bowler Hat
Pacific Overtures: Pretty Lady
Pacific Overtures: Next

Show History



Inspiration

Bookwriter John Weidman got the idea for the show while in college, where he studied Asian history. It was originally a play, but when director Harold Prince read it, he suggested turning it into a musical with Stephen Sondheim. Prince and the authors flew to Japan on several occasions to study Japanese culture and theatre -- of which Sondheim and Prince knew little -- and returned with the basis for a uniquely-conceived work of art commenting on "progress" and its effects on the individual and society.

Productions


Pacific Overtures previewed in Boston and then ran at The Kennedy Center in Washington, D.C. for a month before opening on Broadway at the Winter Garden Theatre on January 11, 1976. It closed after 193 performances on June 27, 1976. Directed by Harold Prince, the choreography was by Patricia Birch, scenic design by Boris Aronson, costume design by Florence Klotz, and lighting design by Tharon Musser. The original cast included Mako as the Reciter, Sab Shimono as Manjiro, Isao Sato as Kayama and Gedde Watanabe as the Priest/Boy in "Someone in a Tree."

Pacific Overtures was revived off-Broadway in 1984 with a partially European cast, and underwent a few revisions by the authors. The English National Opera also presented a European-cast version, which was very successful.


A critically acclaimed 2001 Chicago Shakespeare Theater production, directed by Gary Griffin, transferred to the West End s Donmar Warehouse, where it ran from June 30, 2003 until September 6, 2003.

A Broadway revival ran at Studio 54 from December 2, 2004 to January 30, 2005, directed by Amon Miyamoto and starring several members of the original cast and B.D. Wong as the Narrator.

Cultural Influence

  • The original cast recording was first released by RCA Records in 1976.
  • The original Broadway production was filmed and broadcast on Japanese television in 1976.
  • The English National Opera production was recorded in full -- scenes and all -- by John Yap of That's Entertainment Records. A highlights version is also available of that recording. The score has since entered the repertoire of several prominent opera companies.
  • A new Broadway recording of Pacific Overtures, with new (reduced) orchestrations by orchestrator Jonathan Tunick, was released by PS Classics on May 10, 2005. This recording featured additional material not included on the original cast album.

Trivia

  • Pacific Overtures was the fourth outing for composer/lyricist Stephen Sondheim and director Harold Prince, and by far their most daring.
  • Sondheim has been quoted as saying "Someone in a Tree" is one of the best things he has ever written. Furthermore, Prince and others believe that "A Bowler Hat" is one of the most perfect moments in musical theatre ever written.
  • The original Broadway production was nominated for 10 Tony Awards, and won Best Scenic Design (Boris Aronson) and Best Costume Design (Florence Klotz).
  • The London production in 2004 was nominated for 7 Olivier Awards, winning Best Theatre Choreographer and best Lighting Design in addition to Outstanding Musical Production.
  • The Broadway revival was nominated for 5 Tony Awards in 2005. 
     
  • Harold Prince has won more Tony Awards than anyone else (20): eight for directing, eight for producing, two as producer of the year's Best Musical, and two special Tony Awards.
     
  • Pacific Overtures played in New York City four times: the original 1976 production, and three revivals: 1984 (The York Theatre, which transferred to the Promenade), 2002 (Lincoln Center - in Japanese!) and 2004 (Roundabout Theatre at Studio 54).

Critical Reaction

 

"The lyrics are totally Western and as is the custom with Mr. Sondheim devilish, wittily and delightfully clever& the music and lyrics are as pretty and as well-formed as a bonsai tree. Pacific Overtures is very, very different." - The New York Times (1976)

 

Tony® Award

1976 - Best Original Score, Nominee (Music and Lyrics by Stephen Sondheim)
1976 - Best Score, Nominee (Stephen Sondheim (music and lyrics))
1976 - Best Actor in a Musical, Nominee (Mako)
1976 - Book Of A Broadway Musical, Nominee (John Weidman)
1976 - Best Featured Actor in a Muscial, Nominee (Isao Sato)
1976 - Broadway Musical, Nominee (Harold Prince in association with Ruth Mitchell.(producer))
1976 - Best Scenic Design, Winner (Boris Aronson)
1976 - Choreographer Of A Broadway Musical, Nominee (Partricia Birch)
1976 - Best Costume Design, Winner (Florence Klotz)
1976 - Costume Designer (Play), Winner (Florence Klotz)
1976 - Best Lighting Design, Nominee (Tharon Musser)
1976 - Director Of A Broadway Musical, Nominee (Harold Prince)
1976 - Best Direction Of A Musical, Nominee (Harold Prince)
1976 - Lighting Designer (Play), Nominee (Tharon Musser)
1976 - Best Choreography, Nominee (Patricia Birch)
1976 - Scenic Designer (Play), Winner (Boris Aronson)
1976 - Best Musical, Nominee (Pacific Overtures)
1976 - Actor (Musical), Nominee (Mako)
1976 - Best Book Of A Musical, Nominee (John Weidman)
1976 - Actor In A Featured Role (Musical), Nominee (Isao Sato)
2005 - Best Costume Design of a Musical, Nominee (Junko Koshino)
2005 - Best Revival Of A Musical, Nominee (Pacific Overtures)
2005 - Best Orchestrations, Nominee (Jonathan Tunick)
2005 - Best Scenic Design of a Musical, Nominee (Rumi Matsui)

NY Drama Critics Circle Award

1976 - Best Musical, Winner (Pacific Overtures)

Drama Desk Award

1976 - Outstanding Book of a Musical, Nominee (John Weidman)
1976 - Outstanding Book of a Musical, Nominee (John Weidman)
1976 - Outstanding Choreography, Nominee (Patricia Birch)
1976 - Outstanding Choreography, Nominee (Patricia Birch)
1976 - Outstanding Costume Design, Winner (Florence Klotz)
1976 - Outstanding Costume Design, Winner (Florence Klotz)
1976 - Outstanding Director Of A Musical, Nominee (Harold Prince)
1976 - Outstanding Director Of A Musical, Nominee (Harold Prince)
1976 - Outstanding Featured Actor in a Musical, Nominee (Haruki Fujimoto)
1976 - Outstanding Featured Actor in a Musical, Nominee (Haruki Fujimoto)
1976 - Outstanding Music and Lyrics, Nominee (Stephen Sondheim)
1976 - Outstanding Music and Lyrics, Nominee (Stephen Sondheim)
1976 - Outstanding Set Design, Winner (Boris Aronson)
1985 - Outstanding Revival, Nominee ()

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Billing

Requirements

Under the terms and conditions of your organisation’s Performance Agreement, the following credits must appear on all advertising (including websites) relating to the production. Credits must be reproduced faithfully in accordance with the following layout. No alterations or deletions can be permitted unless stated below.
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PACIFIC OVERTURES 
 
Music and Lyrics by
STEPHEN SONDHEIM
Book by
JOHN WEIDMAN
 
 
Additional material by Hugh Wheeler 
 

Orchestrations by Jonathan Tunick

 

Original Broadway Production Directed by Harold Prince 

and Produced by Harold Prince in association with Ruth Mitchell 

 

 

 

 

 

 

 

The videotaping or other video or audio recording of this production is strictly prohibited.

Included Materials

ItemQuantity Included
ERRATA LIST1
LIBRETTO25
PIANO CONDUCTOR'S SCORE2
VOCAL BOOK25

Production Resources

Resource
HOW DOES THE SHOW GO ON-10/CS
HOW DOES THE SHOW GO ON?
REFERENCE RECORDING

STANDARD ORCHESTRATION

InstrumentationDoubling
BASS
CELLO
HARP
HORN
KEYBOARD 1CELESTE , RMI
PERCUSSIONANVIL , BELL TREE , BELLS , CHIMES , GONG , RACHET , SUZU , TAM-TAM , TEMPLE BLOCKS , TRIANGLE , TYMPANI , XYLOPHONE
PERCUSSION 2BELL PLATE , BELLS , CLAPPERS , SHAMISEN , STAGE DRUM , TEMPLE BLOCKS , WOOD BLOCK , XYLOPHONE
PERCUSSION 3
REED 1ALTO FLUTE , FLUTE , PICCOLO , RECORDER
REED 2Bb CLARINET , Eb CLARINET , FLUTE , PICCOLO
REED 3BASS CLARINET , CLARINET , FLUTE
REED 4ENGLISH HORN , OBOE
REED 5BASSOON , CLARINET
TROMBONE
TRUMPET
VIOLA
VIOLIN

ALTERNATE ORCHESTRATION

InstrumentationDoubling
ALT:ERRATA OFF-BROADWAY VERS.
ALT:KEYBOARD
ALT:PERCUSSION BAMBOO WIND CHIMES , BELL TREE , BELLS , BONGO , CALF-HEADED DRUM , CASTANETS , CHINESE CYMBAL , CLAVE , COWBELL , FINGER CYMBAL , GLOCKENSPIEL , GONG , KIT , LOG DRUM , MARACAS , RACHET , ROTO TOM , SLAPSTICK , TAM-TAM , TAMBOURINE , TEMPLE BLOCKS , TRIANGLE , WIND CHIMES , WOOD BLOCK , XYLOPHONE , YARNS
ALT:PIANO/CELESTE CELESTE , PIANO
ALT:REED CLARINET , FLUTE , PICCOLO , RECORDER