Sweeney Todd School Edition
Attend this dark and witty tale of London, love, murder, and revenge.
Show Essentials
9
Roles
+ Ensemble
12
Rated
2
Acts

Full Synopsis

Prologue

Lights up on London in the 19th Century. A shrill factory whistle is heard. The lights come up on the company in place. A man steps forward and invites the audience to attend the tale of Sweeney Todd. As the company begins to outline Sweeney's dark tale, coordinated stage elements support the storytelling, hinting at the gruesome deeds yet to come ("The Ballad of Sweeney Todd").

Act One

We find ourselves on the London docks. Anthony Hope, a young sailor, and Sweeney Todd, a saturnine man in his forties, enter. They both express their feelings about being back in London. Anthony is genuinely happy to be back in the city, but Todd's response is full of grim irony ("No Place Like London"). While Todd thanks Anthony for saving his life at sea, a ragged, crazed Beggar Woman appears and begs for money. She thinks she recognizes Sweeney, but he fends her off. Anthony inquires about Sweeney's circumstances, worried that he has no place to go now that they are in London. Sweeney dismisses his offer of money. He tells Anthony if he needs him, he can find him around Fleet street.

Sweeney finds Mrs. Lovett's Pie Shop and stands outside the building gazing at it. He enters and sees Mrs. Lovett chopping suet and flicking flies off the trays of pies with a dirty rag. Excited to have a customer, she offers him a pie, but she recognizes that they are disgusting. She apologizes, times have been hard and meat is hard to come by ("The Worst Pies in London").

Sweeney asks why she doesn't rent the room above her shop, if times are so tough. She replies that no one wants it because of the awful thing that happened there. Mrs. Lovett then recounts the fate of Benjamin Barker, a foolish young barber who was shipped to Australia by an evil judge. The Judge coveted the Barber's pretty young wife, Lucy. Once the Judge and his Beadle had Barker removed, Lucy was left alone to care for her one-year old daughter Johanna. The Judge and Beadle invited her to a party at the Judge's mansion, got her drunk and have their way with her in the midst of a masked ball ("Poor Thing"). When Sweeney Todd shouts in anguish at this news, Mrs. Lovett realizes he is Benjamin Barker. 

Demanding to learn the fate of his family, Barker hears his wife Lucy took arsenic and that Judge Turpin adopted his daughter. Todd swears to take revenge on the Judge and the Beadle. Mrs. Lovett brings him his razors which she has kept hidden away for all these years. Todd is thrilled to be reunited with his razors, and Mrs. Lovett is thrilled to be reunited with Todd ("My Friends").



The scene shifts to Judge Turpin's mansion where Johanna is imprisoned. She calls out to the caged birds of a passing bird seller, imploring them to share their secret for singing so sweetly when they, too, are kept captive ("Green Finch and Linnet Bird"). Anthony appears on the street, sees Johanna and instantly falls in love with her ("Ah, Miss"). Suddenly, the Beggar Woman appears and tells Anthony he is standing in front of Judge Turpin's house and should beware of trespassing. Anthony buys a bird for Johanna. He calls to her and presents the bird ("Johanna"). They stand absorbed with each other, not noticing the approach of Judge Turpin and the Beadle. The Judge orders Johanna into the house. The Beadle cautions Anthony to stay away and strangles the bird as a warning.



In St. Dunstan's Marketplace, a painted caravan announces the presence of Signor Adolfo Pirelli and his baldness banishing miracle elixir. Tobias, Pirelli's simple-minded assistant, beats a tin drum to attract a crowd ("Pirelli's Miracle Elixir"). Todd and Mrs. Lovett are among them. Although the crowd responds to Tobias's pitch, Todd and Mrs. Lovett begin a slander campaign against the elixir and people demand their money back. Tobias tries to distract them, but to no avail. Pirelli arrives and silences the crowd, demanding to know who denies his excellence as a barber. Todd steps forward and challenges Pirelli to a shaving. Todd gets the Beadle to judge the contest, and being of superior skill, wins easily ("The Contest"). The Beadle is very impressed, and gets the address of Todd's shop, promising to appear soon. When the Beadle thinks he recognizes Todd, Mrs. Lovett assures him this is not possible. The company explains how Sweeney methodically plotted his revenge ("The Ballad of Sweeney Todd"). 

After an encounter with the Beggar Woman, Mrs. Lovett climbs the stairs to Todd's quarters where he is waiting eagerly for the Beadle to appear. Mrs. Lovett tells him to be patient as she plans the redecoration of his drab quarters with daisies and other homey touches ("Wait"). Despite her entreaties, Todd is also impatient for the Judge to visit.

Anthony appears at Todd's door, and tells him of his encounter with Johanna, unaware she is Sweeney's daughter. He plans to steal Johanna, and asks if he can bring her to Sweeney's for safekeeping. Having secured Todd's assistance, he leaves. Mrs. Lovett suggests Sweeney kill Anthony and keep Johanna with him. She promises she will be a splendid mother to Johanna.

Pirelli and Tobias appear. Mrs. Lovett takes Tobias downstairs for a meat pie. Pirelli reveals his real identity as Benjamin Barker's former apprentice. He tries to blackmail Todd by threatening to reveal that Todd is really Barker. They struggle. Todd renders Pirelli unconscious. Todd stuffs him in a chest when Tobias appears. Todd persuades the boy to go to the kitchen for more meat pies and some gin. Once Tobias has gone, Todd pulls Pirelli out of the chest and slashes his throat ("Pirelli's Death").

The company transitions to the next scene, remarking on Sweeney's treatment of hypocrites ("The Ballad of Sweeney Todd"). Leaving court, the Judge announces to the Beadle his intention to marry Johanna. At the same time, Anthony proposes to Johanna ("Kiss Me"). As the Judge continues on his way home, the Beadle delicately suggests Turpin pay more attention to his personal appearance to heighten his appeal to Johanna ("Ladies in Their Sensitivities"). Recalling Sweeney's excellent work, the Beadle suggests to the judge he make a visit to Sweeney's shop.


At the pie shop, Mrs. Lovett discovers Pirelli's fate. When Todd wants to kill Tobias too, she protests. The Judge appears. Mrs. Lovett goes downstairs to distract Tobias. The Judge confides his marriage plans. Todd prepares to slit the judge's throat, but he takes his time, savoring the moment before his anticipated revenge; meanwhile, the Judge anticipates his future with Johanna ("Pretty Women"). Just as Sweeney is about to kill the Judge, Anthony rushes in, blurting out the news of his planned elopement. The Judge leaves in a fury, announcing his intention to lock Johanna away, and telling Todd he will not be back. 

Enraged at losing the chance to kill the Judge, Sweeney throws Anthony out of the shop, and announces his intention to kill everyone he can to get ready for the inevitable destruction of the Judge ("Epiphany"). Mrs. Lovett reminds him they have to dispose of Pirelli's body. She has an inspiration. They can recycle his victims into meat pies. Sweeney sees the genius of this plan and they celebrate ("A Little Priest").

Act Two

Thanks to her newfound prosperity, Mrs. Lovett has expanded her shop to include an outdoor eating garden. She now wears a fancy gown and Tobias wears a waiter's apron. Her shop is mobbed with customers who crave the new pies ("God, That's Good!"). The Beggar Woman lurks around. An elaborate new barber chair is moved into Todd's quarters. Todd and Mrs. Lovett set up a complicated system by which Todd sends his victims down a chute directly into the bake house where there is a grinding machine. Mrs. Lovett runs out of pies. She puts up a 'Sold Out' sign. A barbershop customer appears. She takes the sign down.

Anthony searches the streets for Johanna. At the same time, Todd dreams of his daughter and systematically kills the customers who sit in his chair. The Beggar Woman tries to warn passersby about the strange odors and smoke coming from Mrs. Lovett's bake house. In the lunatic asylum where the Judge has placed her, Johanna dreams of the moment when Anthony will free her ("Johanna Act II Sequence"). When a man with a child enters the shop, Sweeney gives him a shave and he leaves.


Anthony hears Johanna's voice and discovers she is in the asylum. He tries to rescue her, but the Beadle stops him and tells the police to bash his head. Anthony escapes.

Mrs. Lovett sits in the parlor playing the harmonium. She fantasizes a married life with Todd on the seashore, but he is too fixated on his revenge plot to notice her ("By The Sea"). Anthony appears, asking Todd to help him free Johanna. Todd makes Anthony over as a wigmaker, knowing that the asylum will sell inmates' hair to the highest bidder. He gives Anthony a gun and tells him to bring Johanna to the barbershop after the escape ("Wigmaker Sequence"). Then Todd writes to Judge Turpin, telling him he can find Johanna and Anthony at the barbershop that evening ("The Letter").

Mrs. Lovett sits with Tobias. As she knits him a muffler, they exchange words about their warm feelings for each other. He is devoted to her and promises no one will harm her ("Not While I'm Around"). He suggests something about Sweeney Todd is suspicious. When Mrs. Lovett pulls out Pirelli's purse, he recognizes it. She says Todd gave it to her, which only further feeds Tobias's doubts. She invites Tobias into the bake house where he is usually forbidden to go. He is delighted. Once there, she allows him to grind the meat for pies and he forgets his concerns. She leaves him grinding and locks the door to the bake house. 

As she returns upstairs, she finds the Beadle at the harmonium in her parlor ("Parlour Songs Part 1"). He has come in response to complaints about a foul smell from her chimney. She says she can't take him into the bake house until Mr. Todd comes home. He says he'll wait, and continues playing the harmonium ("Parlor Songs Part II").

Todd arrives. He takes the Beadle upstairs for a free shave before his inspection of the ovens. In the bake house, Tobias begins to suspect that the remains of humans are used for the pies just as the Beadle's body comes down the chute. He realizes he is locked in and, whimpering, disappears down the cellar steps. 

Mrs. Lovett tells Todd Tobias suspects them. She wants Todd to dispense with Tobias at once, but Todd is focused on extracting his revenge from the Judge. Anthony comes to save Johanna at the asylum, but when the owner tries to stop him, he cannot bring himself to shoot. Johanna grabs the gun and kills the owner ("Fogg's Asylum"). They escape. The lunatics are freed from the asylum and spill with euphoric excitement into the street ("City on Fire"). Mrs. Lovett and Todd look for Tobias. The Beggar Woman, suspicious of Mrs. Lovett, searches for the Beadle ("Searching I").



Anthony and Johanna arrive at the barbershop. She wears a sailor suit. At Anthony's insistence, Johanna stays behind as he leaves to hire a coach for their escape to Plymouth. The Beggar Woman appears. Johanna hides in a trunk. The Beggar Woman surveys the room; being there stimulates something within her. She cradles and begins singing to an imaginary infant ("Searching II").

 Todd discovers her. She tries to warn him about Mrs. Lovett and again wonders if she knows him. He turns on her, slits her throat and releases her down the chute. The Judge enters. Sweeney pretends Johanna is safely with Mrs. Lovett and is longing to be reunited with him. Todd convinces the Judge to have a shave to prepare for his meeting with Johanna. Sweeney reveals himself as Benjamin Barker and slits the Judge's throat ("The Judge's Return").



Todd starts out of the room to deal with Tobias as Johanna emerges from the trunk. Mistaking her for a sailor because of her disguise, Todd tries to attack her, but she escapes. He runs to the bake house. Mrs. Lovett tries to kill the Judge, who is still clinging to life. She then notices the Beggar Woman. She frantically tries to drag the Beggar Woman to the oven. Todd sees the woman in the light and realizes she is his wife, Lucy. He accuses Mrs. Lovett of deceiving him. She claims she never told him that Lucy died, only that she took poison ("Final Scene Part I"). She tries to stem his anger and he feigns forgiveness by waltzing with her. He waltzes her to the oven and shoves her in. Then he cradles the Beggar Woman in his arms ("Final Scene Part II"). Tobias appears, his hair now completely white from shock. He kills Sweeney with the razor, which has fallen on the floor. Constables, Anthony, and Johanna appear. Tobias has lost his mind; he cannot stop turning the handle on the grinder.

Epilogue

The company reenters and claim to see the Sweeney in each of us. At the end, Sweeney glares at the audience malevolently and he slams the iron door ("The Ballad of Sweeney Todd").

Casting

Casting

Cast Size: Flexible Cast Size
Cast Type: Ensemble Cast
Dance Requirements: None

Character Breakdown

Sweeney Todd
A talented barber with a bloodthirsty need for revenge.
Anthony Hope
A young man who returns to London and sets his heart on Johanna, Todd's daughter.
Beggar Woman
A deranged and schizophrenic woman with a secret.
Mrs. Lovett
An entrepreneurial shop owner with a diabolical passion for pies... and Todd.
Judge Turpin
A corrupt and lecherous official who hides in the guise of sanctimonious honor.
The Beadle
A pompous public official whose real loyalty is only to the corrupt Turpin.
Johanna
Judge Turpin's young, lovely ward and Todd's long-lost daughter. Innocent and aching to free herself from Turpin's grasp.
Tobias
A young boy who is apprenticed to Pirelli, but finds a strange, surrogate family in Todd and Mrs. Lovett.
Pirelli
A flamboyant Italian with a secret past. A charlatan and rival barber.
Ensemble
At least one of each part (soprano, alto, tenor, baritone, and bass) must be a strong singer. They have solo section in the piece.
Full Song List
Sweeney Todd School Edition: Prelude
Sweeney Todd School Edition: Prologue/The Ballad of Sweeney Todd
Sweeney Todd School Edition: No Place Like London
Sweeney Todd School Edition: The Worst Pies in London
Sweeney Todd School Edition: Poor Thing
Sweeney Todd School Edition: My Friends
Sweeney Todd School Edition: Green Finch and Linnet Bird
Sweeney Todd School Edition: Ah, Miss
Sweeney Todd School Edition: Johanna
Sweeney Todd School Edition: Pirelli's Miracle Elixir
Sweeney Todd School Edition: Pirelli's Entrance
Sweeney Todd School Edition: The Contest
Sweeney Todd School Edition: The Ballad of Sweeney Todd
Sweeney Todd School Edition: Wait
Sweeney Todd School Edition: Pirelli's Death
Sweeney Todd School Edition: The Ballad of Sweeney Todd (2)
Sweeney Todd School Edition: Kiss Me (Part 1)
Sweeney Todd School Edition: Ladies In Their Sensitivities
Sweeney Todd School Edition: Kiss Me (Part 2)
Sweeney Todd School Edition: Pretty Women
Sweeney Todd School Edition: Epiphany
Sweeney Todd School Edition: A Little Priest
Sweeney Todd School Edition: God, That's Good!
Sweeney Todd School Edition: Johanna (Act 2 Sequence)
Sweeney Todd School Edition: By The Sea
Sweeney Todd School Edition: Wigmaker Sequence
Sweeney Todd School Edition: The Letter
Sweeney Todd School Edition: Not While I'm Around
Sweeney Todd School Edition: Parlour Songs (Part 1)
Sweeney Todd School Edition: Parlour Songs (Part 2)
Sweeney Todd School Edition: Parlour Songs (Part 3)
Sweeney Todd School Edition: City on Fire
Sweeney Todd School Edition: Searching (Part 1)
Sweeney Todd School Edition: Searching (Part 2)
Sweeney Todd School Edition: Judge's Return
Sweeney Todd School Edition: Final Scene (Part 1)
Sweeney Todd School Edition: Final Scene (Part 2)
Sweeney Todd School Edition: Final Scene (Part 3)

Show History

Inspiration

Sweeney Todd, a musical thriller with music and lyrics by Stephen Sondheim and a book by Hugh Wheeler, is based on Christopher Bond's 1973 play Sweeney Todd, the Demon Barber of Fleet Street.  The character of Sweeney Todd (a vengeful barber who murders in his very shop) first appeared in French legends in the 14th century, but really started becoming popular with a series of British ballads in the early 1800s.  Many speculate that the legend of Sweeney Todd is based on famous serial killer Jack the Ripper.  Playwright George Dibdin Pitt was one of the first to bring the story to the stage, using the horror stories of Thomas Peckett Prest, who had previously published the story in a newspaper under the name "The String of Pearls," as his basis.  Though the tale of Todd was told many times thereafter, Bond went back to Pitt's material when writing his play.

Sondheim saw a production of the play in 1973, and was drawn into the possibility of adapting it into a musical.  After discovering that several American producers were lobbying for rights, he went to them with director Harold Prince already on board to try to get a musical version approved.  After being met with approval, he recruited book writer Wheeler, with whom he had previously worked with on A Little Night Music.  Sondheim's music utilizes a heavy amount of counterpoint, inversion, and angular harmonies.  One recurring pattern is the use of the ancient Dies Irae in "The Ballad of Sweeney Todd" and its many iterations throughout the show.

Critical Reaction

Critical Reaction

"A staggering theater spectacle and more fun than a graveyard on the night of the annual skeleton's ball... So joy to the world, dear children! Sweeney Todd is here to enrich your nightmares." - New York Daily News

"Must be seen by anyone who cares about the gifts and risks of Broadway at its best." - Newsweek

"There is more artistic energy, creative personality and plain excitement than in a dozen average musicals. [... ] Mr. Sondheim has composed an endlessly inventive, highly expressive score that works indivisibly from his brilliant and abrasive lyrics." - The New York Times

"Sweeney Todd is above all cracking high class entertainment with a pulsating score and a fascinatingly lurid cast of characters that is at times little more than a singing freak show though it is none the worse for that." - The Independent

Connect

Playbill Vault (Original)
Playbill Vault (1989 Revival)
Playbill Vault (2005 Revival)

Billing

Based on an adaptation by Christopher Bond

Requirements

Under the terms and conditions of your organisation’s Performance Agreement, the following credits must appear on all advertising (including websites) relating to the production. Credits must be reproduced faithfully in accordance with the following layout. No alterations or deletions can be permitted unless stated below.
Percentages listed indicate required type size in relation to title size.

size type:

SWEENEY TODD SCHOOL EDITION 100%
The Demon Barber of Fleet Street
A Musical Thriller

 

Music and Lyrics by 
STEPHEN SONDHEIM 
Book by
HUGH WHEELER 50%

 

From an Adaptation by
CHRISTOPHER BOND 25%
 
Originally Directed On Broadway by HAROLD PRINCE 35%

 

Orchestrations by Jonathan Tunick 25%

 

Originally Produced on Broadway by Richard Barr,
Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards
in Association with Dean and Judy Manos
 

 

The videotaping or other video or audio recording of this production is strictly prohibited.

Included Materials

ItemQuantity Included
DIRECTOR'S SCRIPT1
ENHANCED STUDY GUIDE1
LIBRETTO/VOCAL BOOK35
PIANO CONDUCTOR'S SCORE ACT 12
PIANO CONDUCTOR'S SCORE ACT 22

Production Resources

Resource
CUSTOMIZABLE SHOW POSTER
HOW DOES THE SHOW GO ON-10/CS
HOW DOES THE SHOW GO ON?
LOGO PACK
LOGO PACK DIGITAL
LOGO TEES SIX-PACK ADULT LARGE
LOGO TEES SIX-PACK ADULT MEDIUM
LOGO TEES SIX-PACK ADULT SMALL
LOGO TEES SIX-PACK ADULT X-LARGE
LOGO TEES SIX-PACK ADULT XX-LARGE
LOGO TEES SIX-PACK CHILD LARGE
LOGO TEES SIX-PACK CHILD MEDIUM
LOGO TEES SIX-PACK CHILD SMALL
ORCHEXTRA
PERFORMANCE ACCOMPANIMENT RECORDING
PRODUCTIONPRO
REFERENCE RECORDING
REHEARSAL ACCOMPANIMENT RECORDING
REHEARSCORE+
REHEARSCORE+ DIGITAL
SUBPLOT CUSTOMIZED SHOW POSTER
TRANSPOSITIONS-ON-DEMAND
VIRTUAL STAGE MANAGER

STANDARD ORCHESTRATION

InstrumentationDoubling
BASS
CELLO
HARP
HORN
KEYBOARD 1
PERCUSSIONBASS DRUM , BELL TREE , BELLS , CHIMES , CROTALES , DRUMS , GLOCKENSPIEL , GONG , HAND CYMBAL , RATCHET , RAZOR STRAP , SMALL TRIANGLE , SNARE DRUM , TAM TAM , TAMBOURINE , TIMPANI , TOM TOM , TRIANGLE , VIBES , WASH TUB , XYLOPHONE , 20" CYMBAL
REED 1FLUTE , PICCOLO , SOPRANO RECORDER
REED 2Bb CLARINET , Eb CLARINET , FLUTE , PICCOLO
REED 3Bb CLARINET , BASS CLARINET
REED 4ENGLISH HORN , OBOE
REED 5Bb CLARINET , BASSOON
TROMBONE
TROMBONE 2
TROMBONE 3
TRUMPET
VIOLA
VIOLIN